Archive Tape Name: re21b NA NA National Science Foundation, Digital Library Initiative Phase 2 Maurice Amado Foundation University of California at Davis Samuel G. Armistead Bruce Rosenstock NA Samuel G. Armistead Samuel G. Armistead University of California
Spanish and Classics Dept. University of California at Davis Davis, CA 95616

Textual transcription of this tape and corresponding audio file are available for purposes of research, teaching, and appreciation. In some cases, either the transcriptions, the audio file, or both may be used only with the permission of Samuel G. Armistead send requests to address given above.

Any republication or other use of these materials must acknowledge their source and their copyright by Samuel G. Armistead.

This transcription is taken from Archive tape named Reel 21, Side B, recorded on 1962-08-20, whose digital audio file is named re21b. The tape was recorded in Tetuán. Samuel G. Armistead interviewed and taped session 1962-08-20 INFNAME informant Luna Elaluf Farache Informant identified as inf1 in re21b-1. Luna Elaluf Farache Informant identified as inf1 in re21b-2. Luna Elaluf Farache Informant identified as inf1 in re21b-3. Luna Elaluf Farache Informant identified as inf1 in re21b-4. Luna Elaluf Farache Informant identified as inf1 in re21b-5. Luna Elaluf Farache Informant identified as inf1 in re21b-6. Luna Elaluf Farache Informant identified as inf1 in re21b-7. Luna Elaluf Farache Informant identified as inf1 in re21b-8. Luna Elaluf Farache Informant identified as inf1 in re21b-9.

The "Folk Literature of the Sephardic Jews Multimedia Digital LIbrary" is funded by a three-year grant from the National Science Foundation, Digital Library Initiative Phase 2 and the Maurice Amado Foundation. The goal is to create a web-accessible archive of the Sephardic oral literature collected by Samuel G. Armistead, Joseph H. Silverman and Israel J. Katz in fieldwork conducted since 1957.

Commentary on transcriptions has been provided by Samuel G. Armistead, who is solely responsible for identifying the ballad-titles and other genres of this folk literature.

The orthographic conventions used in transcribing these files are based upon those of Samuel G. Armistead. We have attempted to represent all variations from the pronunciation of modern Castilian Spanish and our orthography therefore captures phonetic phenomena which use of modern Spanish orthography would otherwise obscure. The full description of our conventions is available on the home page of the website.

1962-08-20 Tetuán
re21b-6 Karen L. Olson Supervised the editing of all transcriptions. Cinthya M. Miranda Editor/Transcriber Editor/Transcriber Dolores Miralles Alberola Editor/Transcriber Miguel Orts --> Editor/Transcriber University of California, Shields Library Samuel G. Armistead
Spanish and Classics Dept. University of California at Davis Davis, CA 95616
Bodas en París conversación inf1 Ya se me olvidó. Samuel G. Armistead Este es que "Grandes bodas hay en Francia", ¿no? canción. inf1 Grandes fiestazz hay en Fransias, grandes fiestas se armaría[n]. Que no hay quien jube a la dansa como doñal Beatri[z]. Mirándola'stá ese conde y ese conde de París. -- ¿Qué miráizz ahí, el conde, conde, qué miraízz ahí? ¿O se miráizz a la dansa o's que me miráizz a mí? -- Miro yo tu lindo cuerpo, tan galán y atán gentil. -- Cogiera candil de oro en mano y, al bajar ladh escalera[s], se la apagara el candil. Mádh abajo en la'scalera, se la cayera el charpín. La salida de la puerta, su marido alaquí: -- ¿Qué yevas tú ahí, el conde, conde, o qué yeváizz ahí? -- Yevo yo un lindo paje, que a mí me viene a servir. -- Ese paje que uste[d] yeva, a mí solía servir. Él me hasía la cama, y s'echaba cabe mí. Yévala, señor el conde, e m[a]ñana traídla aquí. corte de cinta