Archive Tape Name: re21b NA NA National Science Foundation, Digital Library Initiative Phase 2 Maurice Amado Foundation University of California at Davis Samuel G. Armistead Bruce Rosenstock NA Samuel G. Armistead Samuel G. Armistead University of California
Spanish and Classics Dept. University of California at Davis Davis, CA 95616

Textual transcription of this tape and corresponding audio file are available for purposes of research, teaching, and appreciation. In some cases, either the transcriptions, the audio file, or both may be used only with the permission of Samuel G. Armistead send requests to address given above.

Any republication or other use of these materials must acknowledge their source and their copyright by Samuel G. Armistead.

 This transcription is taken from Archive tape named Reel 21, Side B, recorded on 1962-08-20, whose digital audio file is named re21b. The tape was recorded in Tetuán. Samuel G. Armistead interviewed and taped session 1962-08-20 INFNAME informant Luna Elaluf Farache Informant identified as inf1 in re21b-1. Luna Elaluf Farache Informant identified as inf1 in re21b-2. Luna Elaluf Farache Informant identified as inf1 in re21b-3. Luna Elaluf Farache Informant identified as inf1 in re21b-4. Luna Elaluf Farache Informant identified as inf1 in re21b-5. Luna Elaluf Farache Informant identified as inf1 in re21b-6. Luna Elaluf Farache Informant identified as inf1 in re21b-7. Luna Elaluf Farache Informant identified as inf1 in re21b-8. Luna Elaluf Farache Informant identified as inf1 in re21b-9.

The "Folk Literature of the Sephardic Jews Multimedia Digital LIbrary" is funded by a three-year grant from the National Science Foundation, Digital Library Initiative Phase 2 and the Maurice Amado Foundation. The goal is to create a web-accessible archive of the Sephardic oral literature collected by Samuel G. Armistead, Joseph H. Silverman and Israel J. Katz in fieldwork conducted since 1957.

Commentary on transcriptions has been provided by Samuel G. Armistead, who is solely responsible for identifying the ballad-titles and other genres of this folk literature.

The orthographic conventions used in transcribing these files are based upon those of Samuel G. Armistead. We have attempted to represent all variations from the pronunciation of modern Castilian Spanish and our orthography therefore captures phonetic phenomena which use of modern Spanish orthography would otherwise obscure. The full description of our conventions is available on the home page of the website.

 1962-08-20 Tetuán re21b-1 Karen L. Olson Supervised the editing of all transcriptions. Cinthya M. Miranda Editor/Transcriber Editor/Transcriber Dolores Miralles Alberola Editor/Transcriber Miguel Orts --> Editor/Transcriber University of California, Shields Library Samuel G. Armistead
Spanish and Classics Dept. University of California at Davis Davis, CA 95616
Ballad Title Not Yet Identified canción. inf1 Yendo por un caminito, cansado de andar, a la vera de un río me pusi a descansar. Estando descasando, por ayí pasó una joven muy guapa que d'eya me enamoré. Rubia de cabeyo, blanca de color, [e]strecha de sintura, así la quiero yo. canción. parece otra canción Y en Saragosa cayó un peñón, lo levantaron, [ se corrige ] dentro del agua, qué golpe dió. Lo levantaron, volvió a caer, [ repite ] volvió a caer, mató a la hija de un coronel, De un coronel, de un capitán. Alfonso XII ha muerto ya. canción. parece otra canción Si la guerra no se acaba, la culpa la tienes tú, por salir a la alameda con un pañuelito asu[l], con un pañuelito asul. comentario inf1 ¿Y qué ...? canción [.....] la pluma y el tintero, para'scribir una carta y a mi novio con salero. conversación inf1 Eso e[s]. Samuel G. Armistead ¿Y cómo era eso del ...? inf1 Pero, ya que acabé, le v[o]y a cantar ese cantar de, de Merseditas. Samuel G. Armistead Ehh, ¿cómo se llama un, eh, un pájaro que echaba sangre por el pico? cambio de tema