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<title>Archive Tape Name: 58re36a</title>

	<author><name>NA</name></author>

	<editor><name>NA</name></editor>

	<funder>National Science Foundation, Digital Library Initiative Phase 2</funder>

	<funder>Maurice Amado Foundation</funder>

	<funder>University of California at Davis</funder>

	<principal><name type="person">Samuel G. Armistead</name></principal>

	<principal><name>Bruce Rosenstock</name></principal>


	<sponsor><name type="org">NA</name></sponsor>



</titleStmt>

  

 <publicationStmt>

 <publisher>Samuel G. Armistead</publisher>

 <authority>Samuel G. Armistead</authority>

	<distributor>University of California</distributor>

 <address>

	   <addrLine>Spanish and Classics Dept.</addrLine>

	   <addrLine>University of California at Davis</addrLine>

	   <addrLine>Davis, CA 95616</addrLine>

 </address>

	 <availability>

	   <p>Textual transcription of this tape and corresponding
	   audio file are available for purposes of research,
	   teaching, and appreciation. In some cases, either the
	   transcriptions, the audio file, or both may be used only
	   with the permission of Samuel G. Armistead send requests to address given
	   above.</p>
	  
<p>Any republication or other use of these materials must acknowledge
their source and their copyright by Samuel G. Armistead.</p>
      


	 </availability>



 </publicationStmt>



 <notesStmt><note type="general">This transcription is taken from
 Archive tape named <seg type="tapename">Reel 58-36</seg>, recorded on
 <seg type="tapedate">1958-02-04</seg>, whose digital audio file is
 named <seg type="digaudfile">58re36a</seg>. The tape was
 recorded in <seg type="place">PLACE</seg>.</note></notesStmt>



 <sourceDesc>

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 <recording type="audio" dur="12:48">

 <respStmt><name>Samuel G. Armistead</name><resp>interviewed and taped session</resp>

 </respStmt>



 <date>1958-02-04</date>

	    <respStmt id="INFID">

	      <!-- one of (anchor gap pb milestone lb cb timeline spangrp span linkgrp link joingrp join interpGrp interp index altgrp alt name resp) -->

	      <name>INFNAME</name><resp>informant</resp>

	    </respStmt>

 <respStmt id="ID-43-58re36a-1"><name>Regina [Mrs.] Emanuel</name><resp>Informant identified as inf1 in  58re36a-1.</resp></respStmt><respStmt id="ID-43-58re36a-2"><name>Regina [Mrs.] Emanuel</name><resp>Informant identified as inf1 in  58re36a-2.</resp></respStmt><respStmt id="ID-43-58re36a-3"><name>Regina [Mrs.] Emanuel</name><resp>Informant identified as inf1 in  58re36a-3.</resp></respStmt><respStmt id="ID-43-58re36a-4"><name>Regina [Mrs.] Emanuel</name><resp>Informant identified as inf1 in  58re36a-4.</resp></respStmt><respStmt id="ID-43-58re36a-5"><name>Regina [Mrs.] Emanuel</name><resp>Informant identified as inf1 in  58re36a-5.</resp></respStmt></recording>

 </recordingStmt>

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   <projectDesc>

	<p>The "Folk Literature of the Sephardic Jews Multimedia
	Digital LIbrary" is funded by a three-year grant from the
	National Science Foundation, Digital Library Initiative Phase 2 and the Maurice Amado Foundation. The goal is to create a
	web-accessible archive of the Sephardic oral literature
	collected by Samuel G. Armistead, Joseph H. Silverman and Israel J. Katz in fieldwork conducted
	since 1957. </p>

      </projectDesc>

   <editorialDecl>

	<interpretation>

	  <p>Commentary on transcriptions has been provided by Samuel G. Armistead,
	  who is solely responsible for identifying the ballad-titles
	  and other genres of this folk literature.</p>

	</interpretation>

	<normalization>

	  <p>The orthographic conventions used in transcribing these
	  files are based upon those of Samuel G. Armistead. We have attempted to
	  represent all variations from the pronunciation of modern Castilian
	  Spanish and our orthography therefore captures phonetic
	  phenomena which use of modern Spanish orthography would
	  otherwise obscure. The full description of our conventions
	  is available on the home page of the website.</p>

	</normalization>

	<!-- one of (correction normalization quotation hyphenation interpretation segmentation stdvals p) -->

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		  <creation><date>1958-02-04</date><rs type="recordingcity"/>

 </creation>

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	<titleStmt>

	  <title>58re36a-1</title>
<respStmt><name>Karen L. Olson</name><resp>Supervised the editing of all transcriptions.</resp>
</respStmt><respStmt><name> Geoffrey Cheung</name><resp>Editor/Transcriber</resp></respStmt><respStmt><name>Cinthya M.Miranda</name><resp>Editor/Transcriber</resp></respStmt><respStmt><name>Cinthya M. Miranda</name><resp>Editor/Transcriber</resp></respStmt><respStmt><name/><resp>Editor/Transcriber</resp></respStmt>

	</titleStmt>

 <publicationStmt>

 <publisher>University of California, Shields Library</publisher>

 <authority>Samuel G. Armistead</authority>

 <address>

	   <addrLine>Spanish and Classics Dept.</addrLine>

	   <addrLine>University of California at Davis</addrLine>

	   <addrLine>Davis, CA 95616</addrLine>

 </address>



 </publicationStmt>

 <sourceDesc>



 <recordingStmt>

 <recording type="audio" dur="00:00-03:41">

  </recording>

 </recordingStmt>



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	<body>

	  <div1 id="210" type="BALLAD">

	  <opener><title>Ballad Title Not Yet Identified</title></opener>


      






      

    

  


<note id="ID-7" rend="descriptive">refranes. inf1</note>


<sp><speaker id="ID-10">inf1</speaker><seg>Agua que no has de bebe[r], déshala correr.</seg></sp>


<sp><speaker id="ID-14">inf1</speaker><seg>A la comida de la vezzina no eches sal.</seg></sp>


<sp><speaker id="ID-18">inf1</speaker><seg>Más [ se corrige ] Por más godra que sea la gayina y ne tienes de menester de la vezzina.</seg></sp>

<note id="ID-21" rend="descriptive">comentario</note>


<sp><speaker id="ID-24">inf1</speaker><seg><foreign lang="eng" rend=""> You might need a little bit of salt, you see that's the explanation. </foreign></seg></sp>

<note id="ID-27" rend="descriptive">refrán</note>


<sp><speaker id="ID-30">inf1</speaker><seg>El mundo se manea, no cae.</seg></sp>

<note id="ID-33" rend="descriptive">conversación</note>


<sp><speaker id="ID-36">Samuel G. Armistead</speaker>
<seg>¿Qué quiere decir eso?</seg></sp><sp><speaker id="ID-37">inf1</speaker><seg><foreign lang="eng" rend=""> Hmm, the world shakes but it doesn't fall! </foreign></seg></sp><sp><speaker id="ID-38">Samuel G. Armistead</speaker>
<seg>Hmm, hmm. ¿Eso qué quiere decir? Que la cosa no es tan seria ...</seg></sp><sp><speaker id="ID-39">inf1</speaker><seg>Cuando ... No. Cuando ...</seg></sp><sp><speaker id="ID-40">inf2</speaker><seg><foreign lang="eng" rend=""> Yeah, </foreign> que la cosa no es tan seria ...</seg></sp><sp><speaker id="ID-41">inf1</speaker><seg><foreign lang="eng" rend=""> Yes. That's right, exactly! </foreign></seg></sp>

<note id="ID-44" rend="descriptive">refrán</note>


<sp><speaker id="ID-47">inf1</speaker><seg>Cuanto más escura está la nochada, más presto amanese.</seg></sp>

<note id="ID-50" rend="descriptive">conversación</note>


<sp><speaker id="ID-53">inf1</speaker><seg><foreign lang="eng" rend=""> That means the same thing. </foreign> ¡El mundo no se mane ...!</seg></sp><sp><speaker id="ID-54">inf2</speaker><seg><foreign lang="eng" rend=""> No, it means that eh ... </foreign></seg></sp><sp><speaker id="ID-55">Samuel G. Armistead</speaker>
<seg>"Cuanto, cuanto más escure ..."</seg></sp><sp><speaker id="ID-56">inf1</speaker><seg>"... escura está la nochada, mas presto amanese". <foreign lang="eng" rend=""> Like somebody's got such a such a problem, in the morning everything gets all right! And then, that was another thing I had it in the tip of my tongue now. </foreign></seg></sp><sp><speaker id="ID-57">Samuel G. Armistead</speaker>
<seg>Eso de la gallina, ¿no? de ...</seg></sp><sp><speaker id="ID-58">inf1</speaker><seg><foreign lang="eng" rend=""> What? </foreign> ¿Quieres que diga otra vez?</seg></sp><sp><speaker id="ID-59">Samuel G. Armistead</speaker>
<seg>Sí.</seg></sp><sp><speaker id="ID-60">inf1</speaker><seg>"Por mucho godra que ..."</seg></sp><sp><speaker id="ID-61">Samuel G. Armistead</speaker>
<seg>No, no, lo del hmm, los granos. "Grano a grano ..."</seg></sp><sp><speaker id="ID-62">inf1</speaker><seg>¡Ah!</seg></sp>

<note id="ID-65" rend="descriptive">refrán</note>


<sp><speaker id="ID-68">inf1</speaker><seg>Grano a grano, hincha la gayina [e]l papo.</seg></sp>

<note id="ID-71" rend="descriptive">conversación</note>


<sp><speaker id="ID-74">inf1</speaker><seg><foreign lang="eng" rend=""> Ehhh, I had a few right. </foreign></seg></sp><sp><speaker id="ID-75">inf2</speaker><seg><foreign lang="eng" rend=""> Is that all Spanish? </foreign></seg></sp><sp><speaker id="ID-76">inf1</speaker><seg><foreign lang="eng" rend=""> Yeah! </foreign></seg></sp>


<note id="ID-80" rend="descriptive">refrán</note>


<sp><speaker id="ID-83">inf1</speaker><seg>Ni se come todo lo del plato, ni se dizze todo lo del papo.</seg></sp>


<note id="ID-87" rend="descriptive">conversación</note>


<sp><speaker id="ID-90">inf1</speaker><seg>Quiere dezzir, <foreign lang="eng" rend=""> then you ... somebody invite you, you shouldn't take. You shouldn't eat the whole, the last drop to show that you never taste and never eated, you're starving. Or when you have an argument with somebody, you shouldn't say everything you got in your chest, because later you'll be sorry. </foreign></seg></sp><sp><speaker id="ID-91">Samuel G. Armistead</speaker>
<seg>Está bien.</seg></sp><sp><speaker id="ID-92">inf1</speaker><seg>[E]stá bien. <foreign lang="eng" rend=""> I just couldn't figure ... </foreign></seg></sp>

<note id="ID-95" rend="descriptive">corte de cinta</note>


<note id="ID-98" rend="descriptive">refrán</note>


<sp><speaker id="ID-101">inf1</speaker><seg>Quien duerme [ phrase ] .</seg></sp>

<note id="ID-104" rend="descriptive">conversación</note>

<sp><speaker id="ID-106">inf1</speaker><seg><foreign lang="eng" rend=""> I know many, I can't remember just them this minute! </foreign></seg></sp><sp><speaker id="ID-107">Samuel G. Armistead</speaker>
<seg><foreign lang="eng" rend=""> That's alright! </foreign></seg></sp>

<note id="ID-110" rend="descriptive">refrán</note>


<sp><speaker id="ID-113">inf1</speaker><seg>Todos los ríos ...</seg></sp>

<note id="ID-116" rend="descriptive">comentario</note>


<sp><speaker id="ID-119">inf1</speaker><seg><foreign lang="eng" rend=""> Don't you know what "ríos" is? </foreign></seg></sp>

<note id="ID-122" rend="descriptive">refrán</note>


<sp><speaker id="ID-125">inf1</speaker><seg>... a la mar vaden.</seg></sp>

<note id="ID-128" rend="descriptive">conversación</note>


<sp><speaker id="ID-131">inf1</speaker><seg><foreign lang="eng" rend=""> All the ... the little rivers, they all go to the sea. </foreign></seg></sp><sp><speaker id="ID-132">Samuel G. Armistead</speaker>
<seg>¿Ah, sí?</seg></sp><sp><speaker id="ID-133">inf2</speaker><seg><foreign lang="eng" rend=""> Alright, then what's the meaning behind this? </foreign></seg></sp><sp><speaker id="ID-134">Samuel G. Armistead</speaker>
<seg>¿Qué quiere decir eso?</seg></sp><sp><speaker id="ID-135">inf1</speaker><seg><foreign lang="eng" rend=""> The meaning is this: like somebody, ehs, knows how to sew in the family, everybody keeps on giving her trouble because she know how to sew. She can't say no. This one, that one, there all come to her. That's what it means. </foreign></seg></sp><sp><speaker id="ID-136">Samuel G. Armistead</speaker>
<seg>Hmm, Hmm.</seg></sp>

<note id="ID-139" rend="descriptive">refrán</note>


<sp><speaker id="ID-142">inf1</speaker><seg>Onde va la gruya con su buena ventura.</seg></sp>

<note id="ID-145" rend="descriptive">conversación</note>


<sp><speaker id="ID-148">inf1</speaker><seg><foreign lang="eng" rend=""> They say the same thing. </foreign></seg></sp><sp><speaker id="ID-149">Samuel G. Armistead</speaker>
<seg>¿Qué es la gruya?</seg></sp><sp><speaker id="ID-150">inf1</speaker><seg><foreign lang="eng" rend=""> "Gruya" is a crane. Crane is the one that stays with the bird with one foot. </foreign> ¿Cómo se dizze?</seg></sp><sp><speaker id="ID-151">Samuel G. Armistead</speaker>
<seg>Yeah! Eso es, la gruya.</seg></sp><sp><speaker id="ID-152">inf1</speaker><seg>Gruya. <foreign lang="eng" rend=""> They say: </foreign></seg></sp>

<note id="ID-155" rend="descriptive">refrán</note>

<sp><speaker id="ID-157">inf1</speaker><seg>Onde va la gruya con su buena ventura.</seg></sp>

<note id="ID-160" rend="descriptive">comentario</note>

<sp><speaker id="ID-162">inf1</speaker><seg><foreign lang="eng" rend=""> Eh, the whatever they goes, that means the same thing. </foreign></seg></sp>

<note id="ID-165" rend="descriptive">refrán</note>


<sp><speaker id="ID-168">inf1</speaker><seg>Todos los ríos a la mar vaden.</seg></sp>


<sp><speaker id="ID-172">inf1</speaker><seg>En la casa del rey, bien parese una bogacha.</seg></sp>

<note id="ID-175" rend="descriptive">conversación</note>


<sp><speaker id="ID-178">Samuel G. Armistead</speaker>
<seg>¿Qué es una bogacha?</seg></sp><sp><speaker id="ID-179">inf1</speaker><seg><foreign lang="eng" rend=""> "Bogacha", it means like eh, like a pie. Like eh, a rich fellow he's got everything, he doesn't need nothing. When somebody think of him, bakes him a little pie and, and send them, he so appreciate it. He got everything, but he still. </foreign> y todo ...</seg></sp><sp><speaker id="ID-180">inf2</speaker><seg><foreign lang="eng" rend=""> But  he still [ word ] that a little pie. </foreign></seg></sp><sp><speaker id="ID-181">inf1</speaker><seg><foreign lang="eng" rend=""> Yeah. </foreign></seg></sp><sp><speaker id="ID-182">Samuel G. Armistead</speaker>
<seg>Mhh.</seg></sp>

<note id="ID-185" rend="descriptive">refrán</note>


<sp><speaker id="ID-188">inf1</speaker><seg>En la casa del rey bien parese una bogacha.</seg></sp>

<note id="ID-191" rend="descriptive">conversación</note>


<sp><speaker id="ID-194">inf1</speaker><seg><foreign lang="eng" rend=""> Uh, how can I remember? I don't know. I remember so many. </foreign></seg></sp>

<note id="ID-197" rend="descriptive">corte de cinta</note>


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