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<title>Archive Tape Name: 58re36a</title>

	<author><name>NA</name></author>

	<editor><name>NA</name></editor>

	<funder>National Science Foundation, Digital Library Initiative Phase 2</funder>

	<funder>Maurice Amado Foundation</funder>

	<funder>University of California at Davis</funder>

	<principal><name type="person">Samuel G. Armistead</name></principal>

	<principal><name>Bruce Rosenstock</name></principal>


	<sponsor><name type="org">NA</name></sponsor>



</titleStmt>

  

 <publicationStmt>

 <publisher>Samuel G. Armistead</publisher>

 <authority>Samuel G. Armistead</authority>

	<distributor>University of California</distributor>

 <address>

	   <addrLine>Spanish and Classics Dept.</addrLine>

	   <addrLine>University of California at Davis</addrLine>

	   <addrLine>Davis, CA 95616</addrLine>

 </address>

	 <availability>

	   <p>Textual transcription of this tape and corresponding
	   audio file are available for purposes of research,
	   teaching, and appreciation. In some cases, either the
	   transcriptions, the audio file, or both may be used only
	   with the permission of Samuel G. Armistead send requests to address given
	   above.</p>
	  
<p>Any republication or other use of these materials must acknowledge
their source and their copyright by Samuel G. Armistead.</p>
      


	 </availability>



 </publicationStmt>



 <notesStmt><note type="general">This transcription is taken from
 Archive tape named <seg type="tapename">Reel 58-36</seg>, recorded on
 <seg type="tapedate">1958-02-04</seg>, whose digital audio file is
 named <seg type="digaudfile">58re36a</seg>. The tape was
 recorded in <seg type="place">PLACE</seg>.</note></notesStmt>



 <sourceDesc>

 <recordingStmt>



 <recording type="audio" dur="12:48">

 <respStmt><name>Samuel G. Armistead</name><resp>interviewed and taped session</resp>

 </respStmt>



 <date>1958-02-04</date>

	    <respStmt id="INFID">

	      <!-- one of (anchor gap pb milestone lb cb timeline spangrp span linkgrp link joingrp join interpGrp interp index altgrp alt name resp) -->

	      <name>INFNAME</name><resp>informant</resp>

	    </respStmt>

 <respStmt id="ID-43-58re36a-1"><name>Regina [Mrs.] Emanuel</name><resp>Informant identified as inf1 in  58re36a-1.</resp></respStmt><respStmt id="ID-43-58re36a-2"><name>Regina [Mrs.] Emanuel</name><resp>Informant identified as inf1 in  58re36a-2.</resp></respStmt><respStmt id="ID-43-58re36a-3"><name>Regina [Mrs.] Emanuel</name><resp>Informant identified as inf1 in  58re36a-3.</resp></respStmt><respStmt id="ID-43-58re36a-4"><name>Regina [Mrs.] Emanuel</name><resp>Informant identified as inf1 in  58re36a-4.</resp></respStmt><respStmt id="ID-43-58re36a-5"><name>Regina [Mrs.] Emanuel</name><resp>Informant identified as inf1 in  58re36a-5.</resp></respStmt></recording>

 </recordingStmt>

 </sourceDesc>



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   <projectDesc>

	<p>The "Folk Literature of the Sephardic Jews Multimedia
	Digital LIbrary" is funded by a three-year grant from the
	National Science Foundation, Digital Library Initiative Phase 2 and the Maurice Amado Foundation. The goal is to create a
	web-accessible archive of the Sephardic oral literature
	collected by Samuel G. Armistead, Joseph H. Silverman and Israel J. Katz in fieldwork conducted
	since 1957. </p>

      </projectDesc>

   <editorialDecl>

	<interpretation>

	  <p>Commentary on transcriptions has been provided by Samuel G. Armistead,
	  who is solely responsible for identifying the ballad-titles
	  and other genres of this folk literature.</p>

	</interpretation>

	<normalization>

	  <p>The orthographic conventions used in transcribing these
	  files are based upon those of Samuel G. Armistead. We have attempted to
	  represent all variations from the pronunciation of modern Castilian
	  Spanish and our orthography therefore captures phonetic
	  phenomena which use of modern Spanish orthography would
	  otherwise obscure. The full description of our conventions
	  is available on the home page of the website.</p>

	</normalization>

	<!-- one of (correction normalization quotation hyphenation interpretation segmentation stdvals p) -->

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		  <creation><date>1958-02-04</date><rs type="recordingcity"/>

 </creation>

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	<titleStmt>

	  <title>58re36a-5</title>
<respStmt><name>Karen L. Olson</name><resp>Supervised the editing of all transcriptions.</resp>
</respStmt><respStmt><name> Geoffrey Cheung</name><resp>Editor/Transcriber</resp></respStmt><respStmt><name>Cinthya M. Miranda</name><resp>Editor/Transcriber</resp></respStmt><respStmt><name/><resp>Editor/Transcriber</resp></respStmt>

	</titleStmt>

 <publicationStmt>

 <publisher>University of California, Shields Library</publisher>

 <authority>Samuel G. Armistead</authority>

 <address>

	   <addrLine>Spanish and Classics Dept.</addrLine>

	   <addrLine>University of California at Davis</addrLine>

	   <addrLine>Davis, CA 95616</addrLine>

 </address>



 </publicationStmt>

 <sourceDesc>



 <recordingStmt>

 <recording type="audio" dur="06:40-11:36">

  </recording>

 </recordingStmt>



 </sourceDesc>





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	<body>

	  <div1 id="214" type="BALLAD">

	  <opener><title>Ballad Title Not Yet Identified</title></opener>


      






      

    

  


<note id="ID-6" rend="descriptive">refranes. inf1</note>


<sp><speaker id="ID-9">inf1</speaker><seg>Ni por mucho madrugar amanese.</seg></sp>

<note id="ID-12" rend="descriptive">conversación</note>


<sp><speaker id="ID-15">inf1</speaker><seg><foreign lang="eng" rend=""> Like somebodie's got trouble, he can't sleep, he gets up very early.  And then, it doesn't get light, daylight, because you get up.  That's what it means! </foreign></seg></sp><sp><speaker id="ID-16">Samuel G. Armistead</speaker>
<seg><foreign lang="eng" rend=""> That's cute. </foreign></seg></sp>

<note id="ID-19" rend="descriptive">corte de cinta</note>


<note id="ID-22" rend="descriptive">comentario</note>


<sp><speaker id="ID-25">inf2</speaker><seg><foreign lang="eng" rend=""> That's what I remember. </foreign></seg></sp>

<note id="ID-28" rend="descriptive">refrán</note>


<sp><speaker id="ID-31">inf1</speaker><seg>El viezho no se quiere morir, por más ver y más sentir.</seg></sp>

<note id="ID-34" rend="descriptive">conversación</note>


<sp><speaker id="ID-37">inf1</speaker><seg><foreign lang="eng" rend=""> That was a good one, ah? </foreign></seg></sp><sp><speaker id="ID-38">Samuel G. Armistead</speaker>
<seg>Está bien! ¿Y eso qué quiere decir?</seg></sp><sp><speaker id="ID-39">inf1</speaker><seg><foreign lang="eng" rend=""> The old man doesn't wanna die. </foreign></seg></sp><sp><speaker id="ID-40">inf2</speaker><seg><foreign lang="eng" rend=""> Because he wants ... </foreign></seg></sp><sp><speaker id="ID-41">inf1</speaker><seg><foreign lang="eng" rend=""> Because he wants more see, more hear. </foreign></seg></sp><sp><speaker id="ID-42">Samuel G. Armistead</speaker>
<seg>Mhh ...</seg></sp><sp><speaker id="ID-43">inf2</speaker><seg><foreign lang="eng" rend=""> And he never took all ... </foreign></seg></sp>

<note id="ID-46" rend="descriptive">refrán</note>



<sp><speaker id="ID-50">inf1</speaker><seg>El sodro para mal siente.</seg></sp>

<note id="ID-53" rend="descriptive">conversación</note>


<sp><speaker id="ID-56">Samuel G. Armistead</speaker>
<seg><foreign lang="eng" rend=""> That's right! </foreign></seg></sp><sp><speaker id="ID-57">inf2</speaker><seg>¡Oh! "El sodro para mal siente."</seg></sp><sp><speaker id="ID-58">inf1</speaker><seg>"El sodro para mal siente."</seg></sp><sp><speaker id="ID-59">Samuel G. Armistead</speaker>
<seg>Eso está bien.</seg></sp>

<note id="ID-62" rend="descriptive">refrán</note>


<sp><speaker id="ID-65">inf1</speaker><seg>Quien tiene cazza de vidro, no eches [ se corrige ] no arrozhes piedras.</seg></sp>

<note id="ID-68" rend="descriptive">comentario</note>


<sp><speaker id="ID-71">inf1</speaker><seg><foreign lang="eng" rend=""> Wait a minute. </foreign> ... "N[o] arrozhes piedras", <foreign lang="eng" rend=""> yeah. </foreign></seg></sp>

<note id="ID-74" rend="descriptive">refrán</note>



<sp><speaker id="ID-78">inf1</speaker><seg>Quien tiene cazza de vidro, no arrozhe [ se corrige ] no arrozhes piedra al vezzino.</seg></sp>

<note id="ID-81" rend="descriptive">corte de cinta</note>


<note id="ID-84" rend="descriptive">refrán</note>


<sp><speaker id="ID-87">inf1</speaker><seg>Quien tiene cazza de vidro, que no arrozhe piedras al vezzino.</seg></sp>

<note id="ID-90" rend="descriptive">comentario</note>


<sp><speaker id="ID-93">inf2</speaker><seg><foreign lang="eng" rend=""> That's the one I ... </foreign></seg></sp>

<note id="ID-96" rend="descriptive">corte de cinta</note>



<sp><speaker id="ID-100">inf2</speaker><seg><foreign lang="eng" rend=""> No, I never heard. </foreign></seg></sp>

<note id="ID-103" rend="descriptive">refranes</note>



<sp><speaker id="ID-107">inf1</speaker><seg>Cuando el gato no está, los ratones bailan.</seg></sp>


<sp><speaker id="ID-111">inf1</speaker><seg>Quien tiene cazzal sin perr ...</seg></sp>

<note id="ID-114" rend="descriptive">comentario</note>


<sp><speaker id="ID-117">inf1</speaker><seg><foreign lang="eng" rend=""> Wait a minute! </foreign></seg></sp>

<note id="ID-120" rend="descriptive">refrán</note>



<sp><speaker id="ID-124">inf1</speaker><seg>Quien tiene cazzal sin perros camina sin palo.</seg></sp>

<note id="ID-127" rend="descriptive">conversación</note>


<sp><speaker id="ID-130">inf1</speaker><seg><foreign lang="eng" rend=""> Oh, that must be other ...  Didn't I say that? </foreign></seg></sp><sp><speaker id="ID-131">Samuel G. Armistead</speaker>
<seg><foreign lang="eng" rend=""> Yeah! </foreign></seg></sp><sp><speaker id="ID-132">inf2</speaker><seg><foreign lang="eng" rend=""> Yeah! </foreign></seg></sp><sp><speaker id="ID-133">inf1</speaker><seg>¿Quién? <foreign lang="eng" rend=""> You want said again? </foreign></seg></sp><sp><speaker id="ID-134">inf2</speaker><seg><foreign lang="eng" rend=""> [ phrase ] what it means? </foreign></seg></sp><sp><speaker id="ID-135">inf1</speaker><seg><foreign lang="eng" rend=""> Oh, it means that the, somebody's got the ... a little farm without a dogs, he walks without stick, because nobody is gonna bite it, bite them. You know what I mean? </foreign></seg></sp><sp><speaker id="ID-136">Samuel G. Armistead</speaker>
<seg><foreign lang="eng" rend=""> Yeah! He doesn't suspect [ word ]. </foreign></seg></sp><sp><speaker id="ID-137">inf2</speaker><seg>[ phrase ]</seg></sp><sp><speaker id="ID-138">inf1</speaker><seg><foreign lang="eng" rend=""> Yeah! Yeah! </foreign></seg></sp>

<note id="ID-141" rend="descriptive">refrán</note>



<sp><speaker id="ID-145">inf1</speaker><seg>No quiero ni tu miel ni tu fiel.</seg></sp>

<note id="ID-148" rend="descriptive">conversación</note>


<sp><speaker id="ID-151">Samuel G. Armistead</speaker>
<seg>¿Y eso qué quiere decir?</seg></sp><sp><speaker id="ID-152">inf1</speaker><seg>Quiere dezzir <foreign lang="eng" rend=""> I don't want your honey, I don't want your gold. When you don't wanna have nothing to do with somebody: </foreign> "No quiero ni tu miel ni tu fiel".</seg></sp><sp><speaker id="ID-153">Samuel G. Armistead</speaker>
<seg>Está bien</seg></sp>

<note id="ID-156" rend="descriptive">corte de cinta</note>


<note id="ID-159" rend="descriptive">conversación</note>


<sp><speaker id="ID-162">inf1</speaker><seg><foreign lang="eng" rend=""> Oh, I cannot, you remember in a minute. </foreign></seg></sp><sp><speaker id="ID-163">inf2</speaker><seg><foreign lang="eng" rend=""> Say it the way you say it, now. </foreign></seg></sp><sp><speaker id="ID-164">inf1</speaker><seg><foreign lang="eng" rend=""> What? </foreign></seg></sp><sp><speaker id="ID-165">inf2</speaker><seg><foreign lang="eng" rend=""> The same thing. </foreign></seg></sp><sp><speaker id="ID-166">inf1</speaker><seg><foreign lang="eng" rend=""> What? What? </foreign></seg></sp><sp><speaker id="ID-167">inf2</speaker><seg>"Perro que no ladra ..."</seg></sp>

<note id="ID-170" rend="descriptive">refrán</note>



<sp><speaker id="ID-174">inf1</speaker><seg>El perro que lad ... que ladra no modre.</seg></sp>

<note id="ID-177" rend="descriptive">comentario</note>


<sp><speaker id="ID-180">inf1</speaker><seg><foreign lang="eng" rend=""> That's all! </foreign></seg></sp>

<note id="ID-183" rend="descriptive">refrán</note>



<sp><speaker id="ID-187">inf1</speaker><seg>El pan de la vezzina es melizzina.</seg></sp>

<note id="ID-190" rend="descriptive">conversación</note>


<sp><speaker id="ID-193">Samuel G. Armistead</speaker>
<seg>¿Y eso qué quiere decir?</seg></sp><sp><speaker id="ID-194">inf1</speaker><seg><foreign lang="eng" rend=""> Oh, don't matter how much you have, if you nob ..., if your neighbor's got a little piece of bread, that's what you want, the kid wants. </foreign></seg></sp><sp><speaker id="ID-195">inf2</speaker><seg><foreign lang="eng" rend=""> A child always finds, eh you know whatever the neighbors ... </foreign></seg></sp><sp><speaker id="ID-196">inf1</speaker><seg><foreign lang="eng" rend=""> That that's better. </foreign></seg></sp><sp><speaker id="ID-197">inf2</speaker><seg><foreign lang="eng" rend="">... easier than what his mom ... </foreign></seg></sp><sp><speaker id="ID-198">inf1</speaker><seg>"El p ..." <foreign lang="eng" rend=""> I already say: </foreign> "El pan de la vezzina es melezzina."</seg></sp><sp><speaker id="ID-199">Samuel G. Armistead</speaker>
<seg>¡[Es]tá bien!</seg></sp>

<note id="ID-202" rend="descriptive">refrán</note>


<sp><speaker id="ID-205">inf1</speaker><seg>Quien tiene hizhos no muere de afito, sino muere afogado.</seg></sp>

<note id="ID-208" rend="descriptive">conversación</note>


<sp><speaker id="ID-211">Samuel G. Armistead</speaker>
<seg>¿Qué quiere decir "afito"?</seg></sp><sp><speaker id="ID-212">inf1</speaker><seg><foreign lang="eng" rend=""> Constipation, they don't ... ejection, they don't, let it be the ... </foreign></seg></sp>

<note id="ID-215" rend="descriptive">refrán</note>



<sp><speaker id="ID-219">inf1</speaker><seg>Quien a la mar se cae de la espada se aferra.</seg></sp>

<note id="ID-222" rend="descriptive">conversación</note>


<sp><speaker id="ID-225">inf1</speaker><seg><foreign lang="eng" rend=""> You know what that means? </foreign></seg></sp><sp><speaker id="ID-226">inf2</speaker><seg><foreign lang="eng" rend=""> Yeah, grasping the s ... </foreign></seg></sp><sp><speaker id="ID-227">inf1</speaker><seg><foreign lang="eng" rend=""> If you fall in the sea, you gonna get drowned, you grasp a sword. Sword's got two ... </foreign></seg></sp><sp><speaker id="ID-228">Samuel G. Armistead</speaker>
<seg>Mhh.</seg></sp><sp><speaker id="ID-229">Samuel G. Armistead</speaker>
<seg><foreign lang="eng" rend=""> Two edges. </foreign></seg></sp><sp><speaker id="ID-230">inf1</speaker><seg><foreign lang="eng" rend=""> How can you grab? But you'd rather get cut, than get drowned. </foreign></seg></sp><sp><speaker id="ID-231">inf2</speaker><seg><foreign lang="eng" rend=""> But it is an old saying! </foreign></seg></sp>

<note id="ID-234" rend="descriptive">refrán</note>



<sp><speaker id="ID-238">inf1</speaker><seg>Tantu ture yo como turan los sapatos al cashón.</seg></sp>

<note id="ID-241" rend="descriptive">conversación</note>


<sp><speaker id="ID-244">inf1</speaker><seg><foreign lang="eng" rend=""> You know what that mean? </foreign></seg></sp><sp><speaker id="ID-245">Samuel G. Armistead</speaker>
<seg>No.</seg></sp><sp><speaker id="ID-246">inf1</speaker><seg><foreign lang="eng" rend=""> No. I should live, the ... as much as the shoes will live in, you will leave them in the drawer. What [ phrase ] you in. </foreign></seg></sp><sp><speaker id="ID-247">Samuel G. Armistead</speaker>
<seg>¿Qué es a "turió"?</seg></sp><sp><speaker id="ID-248">inf1</speaker><seg><foreign lang="eng" rend=""> "Turar" means, eh. </foreign></seg></sp><sp><speaker id="ID-249">inf2</speaker><seg>Durar.</seg></sp><sp><speaker id="ID-250">inf1</speaker><seg>Durar.</seg></sp><sp><speaker id="ID-251">Samuel G. Armistead</speaker>
<seg><foreign lang="eng" rend=""> Oh, I see! </foreign></seg></sp><sp><speaker id="ID-252">inf1</speaker><seg><foreign lang="eng" rend=""> You know what I mean? </foreign></seg></sp><sp><speaker id="ID-253">Samuel G. Armistead</speaker>
<seg>Eso es, ya, ya lo, eso. Está bien</seg></sp>

<note id="ID-256" rend="descriptive">corte de cinta</note>



<sp><speaker id="ID-260">inf1</speaker><seg><foreign lang="eng" rend=""> ... then you say that. </foreign></seg></sp>

<note id="ID-263" rend="descriptive">refranes</note>



<sp><speaker id="ID-267">inf1</speaker><seg>Se tuerse y no se rompe.</seg></sp>


<sp><speaker id="ID-271">inf1</speaker><seg>Miedo terné y bueno no seré.</seg></sp>

<note id="ID-274" rend="descriptive">conversación</note>


<sp><speaker id="ID-277">inf1</speaker><seg><foreign lang="eng" rend=""> That's from some kid. You know you gonna give him [ word ], and still he's afraid, </foreign> tiene miedo. <foreign lang="eng" rend=""> But he still will do what he wants to do. </foreign></seg></sp><note id="ID-278" rend="descriptive">se corta la grabación</note>

<sp><speaker id="ID-280">inf1</speaker><seg>Una cozza... <foreign lang="eng" rend=""> Well, you'd better shut it off, I'm gonna think it! </foreign></seg></sp><sp><speaker id="ID-281">Samuel G. Armistead</speaker>
<seg><foreign lang="eng" rend=""> That's OK! </foreign></seg></sp>

<note id="ID-284" rend="descriptive">refrán</note>



<sp><speaker id="ID-288">inf1</speaker><seg>Se tuerse y no se rompe.</seg></sp>

<note id="ID-291" rend="descriptive">conversación</note>


<sp><speaker id="ID-294">inf1</speaker><seg>Una criatura que es caprichozza. <foreign lang="eng" rend=""> So this way you know the ... </foreign></seg></sp><sp><speaker id="ID-295">Samuel G. Armistead</speaker>
<seg>¡Claro!</seg></sp>

<note id="ID-298" rend="descriptive">refrán</note>



<sp><speaker id="ID-302">inf1</speaker><seg>El hermano, mil muertes y un selo no.</seg></sp>

<note id="ID-305" rend="descriptive">conversación</note>


<sp><speaker id="ID-308">inf1</speaker><seg><foreign lang="eng" rend=""> Because he was jealous of his brother! Aaron. </foreign></seg></sp><sp><speaker id="ID-309">Samuel G. Armistead</speaker>
<seg>¿Y qué quiere decir "y un celo no"?</seg></sp><sp><speaker id="ID-310">inf1</speaker><seg><foreign lang="eng" rend=""> He will rather die than be, than ... </foreign></seg></sp><sp><speaker id="ID-311">inf2</speaker><seg><foreign lang="eng" rend=""> No, a thousand death and not one jealousy. </foreign></seg></sp><sp><speaker id="ID-312">inf1</speaker><seg><foreign lang="eng" rend=""> One jealousy. </foreign></seg></sp>

<note id="ID-315" rend="descriptive">corte de cinta</note>


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