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<title>Archive Tape Name: 58re44a</title>

	<author><name>NA</name></author>

	<editor><name>NA</name></editor>

	<funder>National Science Foundation, Digital Library Initiative Phase 2</funder>

	<funder>Maurice Amado Foundation</funder>

	<funder>University of California at Davis</funder>

	<principal><name type="person">Samuel G. Armistead</name></principal>

	<principal><name>Bruce Rosenstock</name></principal>


	<sponsor><name type="org">NA</name></sponsor>



</titleStmt>

  

 <publicationStmt>

 <publisher>Samuel G. Armistead</publisher>

 <authority>Samuel G. Armistead</authority>

	<distributor>University of California</distributor>

 <address>

	   <addrLine>Spanish and Classics Dept.</addrLine>

	   <addrLine>University of California at Davis</addrLine>

	   <addrLine>Davis, CA 95616</addrLine>

 </address>

	 <availability>

	   <p>Textual transcription of this tape and corresponding
	   audio file are available for purposes of research,
	   teaching, and appreciation. In some cases, either the
	   transcriptions, the audio file, or both may be used only
	   with the permission of Samuel G. Armistead send requests to address given
	   above.</p>
	  
<p>Any republication or other use of these materials must acknowledge
their source and their copyright by Samuel G. Armistead.</p>
      


	 </availability>



 </publicationStmt>



 <notesStmt><note type="general">This transcription is taken from
 Archive tape named <seg type="tapename">Reel 58-44</seg>, recorded on
 <seg type="tapedate">0000-00-00</seg>, whose digital audio file is
 named <seg type="digaudfile">58re44a</seg>. The tape was
 recorded in <seg type="place">PLACE</seg>.</note></notesStmt>



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 <recording type="audio" dur="15:47">

 <respStmt><name>Samuel G. Armistead</name><resp>interviewed and taped session</resp>

 </respStmt>



 <date>0000-00-00</date>

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 <respStmt id="ID-110-58re44a-1"><name>Benuta Haim</name><resp>Informant identified as inf1 in  58re44a-1.</resp></respStmt><respStmt id="ID-110-58re44a-2"><name>Benuta Haim</name><resp>Informant identified as inf1 in  58re44a-2.</resp></respStmt><respStmt id="ID-110-58re44a-3"><name>Benuta Haim</name><resp>Informant identified as inf1 in  58re44a-3.</resp></respStmt><respStmt id="ID-110-58re44a-4"><name>Benuta Haim</name><resp>Informant identified as inf1 in  58re44a-4.</resp></respStmt><respStmt id="ID-110-58re44a-5"><name>Benuta Haim</name><resp>Informant identified as inf1 in  58re44a-5.</resp></respStmt></recording>

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   <projectDesc>

	<p>The "Folk Literature of the Sephardic Jews Multimedia
	Digital LIbrary" is funded by a three-year grant from the
	National Science Foundation, Digital Library Initiative Phase 2 and the Maurice Amado Foundation. The goal is to create a
	web-accessible archive of the Sephardic oral literature
	collected by Samuel G. Armistead, Joseph H. Silverman and Israel J. Katz in fieldwork conducted
	since 1957. </p>

      </projectDesc>

   <editorialDecl>

	<interpretation>

	  <p>Commentary on transcriptions has been provided by Samuel G. Armistead,
	  who is solely responsible for identifying the ballad-titles
	  and other genres of this folk literature.</p>

	</interpretation>

	<normalization>

	  <p>The orthographic conventions used in transcribing these
	  files are based upon those of Samuel G. Armistead. We have attempted to
	  represent all variations from the pronunciation of modern Castilian
	  Spanish and our orthography therefore captures phonetic
	  phenomena which use of modern Spanish orthography would
	  otherwise obscure. The full description of our conventions
	  is available on the home page of the website.</p>

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	  <title>58re44a-3</title>
<respStmt><name>Karen L. Olson</name><resp>Supervised the editing of all transcriptions.</resp>
</respStmt><respStmt><name> Nancy Tamayo</name><resp>Editor/Transcriber</resp></respStmt><respStmt><name>Cinthya M. Miranda</name><resp>Editor/Transcriber</resp></respStmt><respStmt><name>Corinne Pubill --&gt;</name><resp>Editor/Transcriber</resp></respStmt>

	</titleStmt>

 <publicationStmt>

 <publisher>University of California, Shields Library</publisher>

 <authority>Samuel G. Armistead</authority>

 <address>

	   <addrLine>Spanish and Classics Dept.</addrLine>

	   <addrLine>University of California at Davis</addrLine>

	   <addrLine>Davis, CA 95616</addrLine>

 </address>



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 <recording type="audio" dur="10:14-11:39">

  </recording>

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	<body>

	  <div1 id="168" type="BALLAD">

	  <opener><title>Ballad Title Not Yet Identified</title></opener>


      






      

    

  


<note id="ID-6" rend="descriptive">comentario</note>


<sp><speaker id="ID-9">Samuel G. Armistead</speaker>
<seg>Un momento, empiese otra ves. Empieza otra ves, por favor.</seg></sp>

<note id="ID-12" rend="descriptive">  recitado. inf1</note>
<l id="ID-13" rend="a">Una hizha tiene el rey,</l><l id="ID-14" rend="b">una hizha regalada.</l>
<l id="ID-16" rend="a">Un día por las calores,</l><l id="ID-17" rend="b">se asentó a la ventana.</l>
<l id="ID-19" rend="a">Tomó navasho en su mano,</l><l id="ID-20" rend="b">a mondar una mansa ... [ se corrige ]</l>
<l id="ID-22" rend="a">Navasha en su mano,</l><l id="ID-23" rend="b">a mundar una mansana.</l>
<l id="ID-25" rend="a">Por ahí pasó un segador</l><l id="ID-26" rend="b">segando trigo y sebada.</l>
<l id="ID-28" rend="a">La pala tiene de oro,</l><l id="ID-29" rend="b">la chapa de filigrana.</l>
<l id="ID-31" rend="a">-- Así viva el segador,</l><l id="ID-32" rend="b">que me sembres trigo y sebada. --</l>
<l id="ID-34" rend="a">A la entrada de la puerta,</l><l id="ID-35" rend="b">con el rey se encontraba.</l>
<l id="ID-37" rend="a">-- ¿Qué buscas, el segador,</l><l id="ID-38" rend="b">qué buscas por la mía ca ... [ se corrige ] por mi cazza?</l>
<l id="ID-40" rend="a">-- Que me si perdió una puíca,</l><l id="ID-41" rend="b">tan galana y tan presiada.</l>
<l id="ID-43" rend="a">El bico tiene de oro,</l><l id="ID-44" rend="b">lazz alas de filigrana.</l>
<l id="ID-46" rend="a">-- Si es que no ezz nada,</l><l id="ID-47" rend="b">a mí no me importa nada.</l>
<l id="ID-49" rend="a">-- ¿Ónde tienes el trigo?</l><l id="ID-50" rend="b">¿Ónde tienes la sebada?</l>
<l id="ID-52" rend="a">-- Debasho de mi camizza,</l><l id="ID-53" rend="b">debasho de mi delgada. --</l>
<l id="ID-55" rend="a">A la bula [ duda ] ...</l>
<note id="ID-57" rend="descriptive">comentario</note>


<sp><speaker id="ID-60">Samuel G. Armistead</speaker>
<seg>Ensembra.</seg></sp>

<note id="ID-63" rend="descriptive">  recitado</note>
<l id="ID-64" rend="a">A la bula ensembra [e]l trigo</l><l id="ID-65" rend="b">y a la esclava, la sebada.</l>
<l id="ID-67" rend="a">-- Si es que no ezz nada,</l><l id="ID-68" rend="b">a mí, no me importa nada. --</l>
<note id="ID-70" rend="descriptive">corte de cinta</note>


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