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<title>Archive Tape Name: 62-48a</title>

	<author><name>NA</name></author>

	<editor><name>NA</name></editor>

	<funder>National Science Foundation, Digital Library Initiative Phase 2</funder>

	<funder>Maurice Amado Foundation</funder>

	<funder>University of California at Davis</funder>

	<principal><name type="person">Samuel G. Armistead</name></principal>

	<principal><name>Bruce Rosenstock</name></principal>


	<sponsor><name type="org">NA</name></sponsor>



</titleStmt>

  

 <publicationStmt>

 <publisher>Samuel G. Armistead</publisher>

 <authority>Samuel G. Armistead</authority>

	<distributor>University of California</distributor>

 <address>

	   <addrLine>Spanish and Classics Dept.</addrLine>

	   <addrLine>University of California at Davis</addrLine>

	   <addrLine>Davis, CA 95616</addrLine>

 </address>

	 <availability>

	   <p>Textual transcription of this tape and corresponding
	   audio file are available for purposes of research,
	   teaching, and appreciation. In some cases, either the
	   transcriptions, the audio file, or both may be used only
	   with the permission of Samuel G. Armistead send requests to address given
	   above.</p>
	  
<p>Any republication or other use of these materials must acknowledge
their source and their copyright by Samuel G. Armistead.</p>
      


	 </availability>



 </publicationStmt>



 <notesStmt><note type="general">This transcription is taken from
 Archive tape named <seg type="tapename">Reel 62-48, Side A</seg>, recorded on
 <seg type="tapedate">1962-09-12</seg>, whose digital audio file is
 named <seg type="digaudfile">62-48a</seg>. The tape was
 recorded in <seg type="place">Tangier</seg>.</note></notesStmt>



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 <recording type="audio" dur="15:35">

 <respStmt><name>Samuel G. Armistead</name><resp>interviewed and taped session</resp>

 </respStmt>



 <date>1962-09-12</date>

	    <respStmt id="INFID">

	      <!-- one of (anchor gap pb milestone lb cb timeline spangrp span linkgrp link joingrp join interpGrp interp index altgrp alt name resp) -->

	      <name>INFNAME</name><resp>informant</resp>

	    </respStmt>

 <respStmt id="ID-131-62-48a-1"><name>Moisés  Benadiba</name><resp>Informant identified as inf1 in  62-48a-1.</resp></respStmt><respStmt id="ID-131-62-48a-2"><name>Moisés  Benadiba</name><resp>Informant identified as inf1 in  62-48a-2.</resp></respStmt><respStmt id="ID-131-62-48a-3"><name>Moisés  Benadiba</name><resp>Informant identified as inf1 in  62-48a-3.</resp></respStmt><respStmt id="ID-131-62-48a-4"><name>Moisés  Benadiba</name><resp>Informant identified as inf1 in  62-48a-4.</resp></respStmt><respStmt id="ID-131-62-48a-5"><name>Moisés  Benadiba</name><resp>Informant identified as inf1 in  62-48a-5.</resp></respStmt></recording>

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   <projectDesc>

	<p>The "Folk Literature of the Sephardic Jews Multimedia
	Digital LIbrary" is funded by a three-year grant from the
	National Science Foundation, Digital Library Initiative Phase 2 and the Maurice Amado Foundation. The goal is to create a
	web-accessible archive of the Sephardic oral literature
	collected by Samuel G. Armistead, Joseph H. Silverman and Israel J. Katz in fieldwork conducted
	since 1957. </p>

      </projectDesc>

   <editorialDecl>

	<interpretation>

	  <p>Commentary on transcriptions has been provided by Samuel G. Armistead,
	  who is solely responsible for identifying the ballad-titles
	  and other genres of this folk literature.</p>

	</interpretation>

	<normalization>

	  <p>The orthographic conventions used in transcribing these
	  files are based upon those of Samuel G. Armistead. We have attempted to
	  represent all variations from the pronunciation of modern Castilian
	  Spanish and our orthography therefore captures phonetic
	  phenomena which use of modern Spanish orthography would
	  otherwise obscure. The full description of our conventions
	  is available on the home page of the website.</p>

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		  <creation><date>1962-09-12</date><rs type="recordingcity">Tangier</rs>

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	<titleStmt>

	  <title>62-48a-5</title>
<respStmt><name>Karen L. Olson</name><resp>Supervised the editing of all transcriptions.</resp>
</respStmt><respStmt><name/><resp>Editor/Transcriber</resp></respStmt><respStmt><name>Geoffrey Cheung</name><resp>Editor/Transcriber</resp></respStmt><respStmt><name/><resp>Editor/Transcriber</resp></respStmt>

	</titleStmt>

 <publicationStmt>

 <publisher>University of California, Shields Library</publisher>

 <authority>Samuel G. Armistead</authority>

 <address>

	   <addrLine>Spanish and Classics Dept.</addrLine>

	   <addrLine>University of California at Davis</addrLine>

	   <addrLine>Davis, CA 95616</addrLine>

 </address>



 </publicationStmt>

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 <recording type="audio" dur="10:21-15:35">

  </recording>

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	<body>

	  <div1 id="363" type="BALLAD">

	  <opener><title>Ballad Title Not Yet Identified</title></opener>


      






      

    

  


<note id="ID-6" rend="descriptive">title: Culebro raptor</note>


<note id="ID-9" rend="descriptive">  canción. inf1</note>
<l id="ID-10" rend="a">Y estábase la infanta</l><l id="ID-11" rend="b">y en siya de oro sentada.</l>
<l id="ID-13" rend="a">Peine de oro en la su mano,</l><l id="ID-14" rend="b">los sus cabeyos peinara.</l>
<l id="ID-16" rend="a">Por ahí pasara un culebro</l><l id="ID-17" rend="b">que de eya se namorare.</l>
<l id="ID-19" rend="a">Juró que la ha de yevare</l><l id="ID-20" rend="b">y con eya se ha de cazzare.</l>
<l id="ID-22" rend="a">Ya yoraba la i[n]fanta</l><l id="ID-23" rend="b">lágrimas de cuatro en cuatro.</l>
<l id="ID-25" rend="a">Ya yoraba la infanta</l><l id="ID-26" rend="b">lágrimas de cuatro en sinco.</l>
<l id="ID-28" rend="a">Por ahí pasara su padre,</l><l id="ID-29" rend="b">a la infanta incontró yorando</l>
<l id="ID-31" rend="a">-- ¿Qué tienezz y tú, la infanta,</l><l id="ID-32" rend="b">o quién te ha hecho male?</l>
<l id="ID-34" rend="a">Si te han hecho mal los moros,</l><l id="ID-35" rend="b">yo los mandaré a matare.</l>
<l id="ID-37" rend="a">Si te han hecho mal cristianos,</l><l id="ID-38" rend="b">los mandaré a desterrare.</l>
<l id="ID-40" rend="a">Si te han hecho mal judíos,</l><l id="ID-41" rend="b">los mandaré a cautivare.</l>
<l id="ID-43" rend="a">-- Ni me han hecho mal los morodh</l><l id="ID-44" rend="b">ni los mandezz a matare.</l>
<l id="ID-46" rend="a">Ni me han hecho mal cristianos</l><l id="ID-47" rend="b">ni los mandes a desterrare.</l>
<l id="ID-49" rend="a">Ni me han hecho mal judíos,</l><l id="ID-50" rend="b">gente son que mal no hazzen.</l>
<l id="ID-52" rend="a">Por aquí pasó un culebro</l><l id="ID-53" rend="b">que de mí se namorare.</l>
<l id="ID-55" rend="a">Juró que me ha de yevare,</l><l id="ID-56" rend="b">conmigo se ha de cazzare.</l>
<l id="ID-58" rend="a">-- No os te dé nada, la infanta,</l><l id="ID-59" rend="b">no os te dé nada, mi vida.</l>
<l id="ID-61" rend="a">Te pondré yo a ti las guardias,</l><l id="ID-62" rend="b">las guardias las venticuatro.</l>
<l id="ID-64" rend="a">Te pondré yo a ti las guardias,</l><l id="ID-65" rend="b">las guardias las ventisinco. --</l>
<l id="ID-67" rend="a">Cuando viñiera [e]l culebro</l><l id="ID-68" rend="b">y a todozz hayó dormiendo.</l>
<l id="ID-70" rend="a">Y antes que canten los gayos</l><l id="ID-71" rend="b">y toquen con lodh sus picos,</l>
<l id="ID-73" rend="a">el culebro y la infanta</l><l id="ID-74" rend="b">ya había[n] pasado lo[s] ríos,</l>
<l id="ID-76" rend="a">el culebro y la i[n]fanta</l><l id="ID-77" rend="b">ya habían pasado las mares.</l>
<l id="ID-79" rend="a">Y en mitad de aquel camino,</l><l id="ID-80" rend="b">vio venir a una tortola.</l>
<l id="ID-82" rend="a">-- Tortolita, tortolita,</l><l id="ID-83" rend="b">así Dios te guarde del male,</l>
<l id="ID-85" rend="a">le dirás al rey mi padre</l><l id="ID-86" rend="b">que no vaya ya al meshuare. [ no entiendo ]</l>
<l id="ID-88" rend="a">Le dirás a mis hermanos</l><l id="ID-89" rend="b">que en cabayos no acabalguen.</l>
<l id="ID-91" rend="a">Le dirázz a mizz hermanas</l><l id="ID-92" rend="b">que no vayan más al baile.</l>
<l id="ID-94" rend="a">Le dirázz a la mi madre</l><l id="ID-95" rend="b">que yore y no se caye. --</l>
<l id="ID-97" rend="a">Que en mitad de aquel camino</l><l id="ID-98" rend="b">ya había pasado lo[s] ríos.</l>
<l id="ID-100" rend="a">Que en mitad de aquel camino</l><l id="ID-101" rend="b">ya había pasado las mares.</l>
<l id="ID-103" rend="a">Yoren, yoren las señoras,</l><l id="ID-104" rend="b">las que tienen razzón,</l>
<l id="ID-106" rend="a">por la Cazza Santa</l><l id="ID-107" rend="b">y el jorbán de Siyón.</l>
<note id="ID-109" rend="descriptive">fin de cinta</note>


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