Archive Tape Name: 62-50b NA NA National Science Foundation, Digital Library Initiative Phase 2 Maurice Amado Foundation University of California at Davis Samuel G. Armistead Bruce Rosenstock NA Samuel G. Armistead Samuel G. Armistead University of California
Spanish and Classics Dept. University of California at Davis Davis, CA 95616

Textual transcription of this tape and corresponding audio file are available for purposes of research, teaching, and appreciation. In some cases, either the transcriptions, the audio file, or both may be used only with the permission of Samuel G. Armistead send requests to address given above.

Any republication or other use of these materials must acknowledge their source and their copyright by Samuel G. Armistead.

 This transcription is taken from Archive tape named Reel 62-50, Side B, recorded on 1962-09-13, whose digital audio file is named 62-50b. The tape was recorded in Tangier. Samuel G. Armisteadinterviewed and taped session 1962-09-13 INFNAMEinformant Celia AzerradInformant identified as inf1 in 62-50b-2.Celia AzerradInformant identified as inf1 in 62-50b-3.Celia AzerradInformant identified as inf1 in 62-50b-4.

The "Folk Literature of the Sephardic Jews Multimedia Digital LIbrary" is funded by a three-year grant from the National Science Foundation, Digital Library Initiative Phase 2 and the Maurice Amado Foundation. The goal is to create a web-accessible archive of the Sephardic oral literature collected by Samuel G. Armistead, Joseph H. Silverman and Israel J. Katz in fieldwork conducted since 1957.

Commentary on transcriptions has been provided by Samuel G. Armistead, who is solely responsible for identifying the ballad-titles and other genres of this folk literature.

The orthographic conventions used in transcribing these files are based upon those of Samuel G. Armistead. We have attempted to represent all variations from the pronunciation of modern Castilian Spanish and our orthography therefore captures phonetic phenomena which use of modern Spanish orthography would otherwise obscure. The full description of our conventions is available on the home page of the website.

 1962-09-13Tangier 62-50b-4 Karen L. OlsonSupervised the editing of all transcriptions. Editor/TranscriberGeoffrey CheungEditor/TranscriberEditor/Transcriber University of California, Shields Library Samuel G. Armistead
Spanish and Classics Dept. University of California at Davis Davis, CA 95616
Por la calle de su dama canción. inf1 Por la caye de su amadase pasea el moro Saidi y esperando que sean hora[s]y que se asome para habla[r]le. La vio veni[r] al barcó[n]má[s] linda que el sol que sale. Y anda [e]l Saidi disiendo:-- Beya mora, Dios te guarde. De las mora[s] eres más beyaque ninguna de este vaye. Dise[n] que a tí te pretendeny que piensas en casarte con un moro que ha venidode las tierras de tu padre. Ese moro es feo y tontoy envidioso en gran caudale. La trensa de tu cabeyoél la yeva en su turbante. -- Serró la dama [e]l balcóny al Saidi dejó en la caye. -- Mira, Saidi, que te digono vengas a molestarme, ni preguntes con quién duermoni quién viene a visitarme. Tus comida[s] no es mi gustoni tus paseos me plasen. -- Ya yoraba el moro Saidique se quiere arreventare. fin de cinta. continúa en el archivo ta51a-1