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<title>Archive Tape Name: 62re33b</title>

	<author><name>NA</name></author>

	<editor><name>NA</name></editor>

	<funder>National Science Foundation, Digital Library Initiative Phase 2</funder>

	<funder>Maurice Amado Foundation</funder>

	<funder>University of California at Davis</funder>

	<principal><name type="person">Samuel G. Armistead</name></principal>

	<principal><name>Bruce Rosenstock</name></principal>


	<sponsor><name type="org">NA</name></sponsor>



</titleStmt>

  

 <publicationStmt>

 <publisher>Samuel G. Armistead</publisher>

 <authority>Samuel G. Armistead</authority>

	<distributor>University of California</distributor>

 <address>

	   <addrLine>Spanish and Classics Dept.</addrLine>

	   <addrLine>University of California at Davis</addrLine>

	   <addrLine>Davis, CA 95616</addrLine>

 </address>

	 <availability>

	   <p>Textual transcription of this tape and corresponding
	   audio file are available for purposes of research,
	   teaching, and appreciation. In some cases, either the
	   transcriptions, the audio file, or both may be used only
	   with the permission of Samuel G. Armistead send requests to address given
	   above.</p>
	  
<p>Any republication or other use of these materials must acknowledge
their source and their copyright by Samuel G. Armistead.</p>
      


	 </availability>



 </publicationStmt>



 <notesStmt><note type="general">This transcription is taken from
 Archive tape named <seg type="tapename">Reel 62-33, Side B				</seg>, recorded on
 <seg type="tapedate">1962-08-27</seg>, whose digital audio file is
 named <seg type="digaudfile">62re33b</seg>. The tape was
 recorded in <seg type="place">Casablanca</seg>.</note></notesStmt>



 <sourceDesc>

 <recordingStmt>



 <recording type="audio" dur="23:13">

 <respStmt><name>Samuel G. Armistead</name><resp>interviewed and taped session</resp>

 </respStmt>



 <date>1962-08-27</date>

	    <respStmt id="INFID">

	      <!-- one of (anchor gap pb milestone lb cb timeline spangrp span linkgrp link joingrp join interpGrp interp index altgrp alt name resp) -->

	      <name>INFNAME</name><resp>informant</resp>

	    </respStmt>

 <respStmt id="ID-23-62re33b-1"><name>Esther de Ayach Benniflah</name><resp>Informant identified as inf1 in  62re33b-1.</resp></respStmt><respStmt id="ID-24-62re33b-1"><name>Dora de Ayach Bergel</name><resp>Informant identified as inf2 in  62re33b-1.</resp></respStmt><respStmt id="ID-25-62re33b-2"><name>Estrella Ayach</name><resp>Informant identified as inf1 in  62re33b-2.</resp></respStmt><respStmt id="ID-24-62re33b-2"><name>Dora de Ayach Bergel</name><resp>Informant identified as inf2 in  62re33b-2.</resp></respStmt><respStmt id="ID-23-62re33b-2"><name>Esther de Ayach Benniflah</name><resp>Informant identified as inf3 in  62re33b-2.</resp></respStmt><respStmt id="ID-24-62re33b-3"><name>Dora de Ayach Bergel</name><resp>Informant identified as inf1 in  62re33b-3.</resp></respStmt><respStmt id="ID-23-62re33b-3"><name>Esther de Ayach Benniflah</name><resp>Informant identified as inf2 in  62re33b-3.</resp></respStmt><respStmt id="ID-25-62re33b-3"><name>Estrella Ayach</name><resp>Informant identified as inf3 in  62re33b-3.</resp></respStmt><respStmt id="ID-23-62re33b-4"><name>Esther de Ayach Benniflah</name><resp>Informant identified as inf1 in  62re33b-4.</resp></respStmt><respStmt id="ID-24-62re33b-4"><name>Dora de Ayach Bergel</name><resp>Informant identified as inf2 in  62re33b-4.</resp></respStmt><respStmt id="ID-23-62re33b-5"><name>Esther de Ayach Benniflah</name><resp>Informant identified as inf1 in  62re33b-5.</resp></respStmt><respStmt id="ID-24-62re33b-5"><name>Dora de Ayach Bergel</name><resp>Informant identified as inf2 in  62re33b-5.</resp></respStmt><respStmt id="ID-23-62re33b-6"><name>Esther de Ayach Benniflah</name><resp>Informant identified as inf1 in  62re33b-6.</resp></respStmt><respStmt id="ID-24-62re33b-6"><name>Dora de Ayach Bergel</name><resp>Informant identified as inf2 in  62re33b-6.</resp></respStmt><respStmt id="ID-25-62re33b-6"><name>Estrella Ayach</name><resp>Informant identified as inf3 in  62re33b-6.</resp></respStmt><respStmt id="ID-24-62re33b-7"><name>Dora de Ayach Bergel</name><resp>Informant identified as inf1 in  62re33b-7.</resp></respStmt><respStmt id="ID-23-62re33b-7"><name>Esther de Ayach Benniflah</name><resp>Informant identified as inf2 in  62re33b-7.</resp></respStmt><respStmt id="ID-23-62re33b-8"><name>Esther de Ayach Benniflah</name><resp>Informant identified as inf1 in  62re33b-8.</resp></respStmt><respStmt id="ID-24-62re33b-8"><name>Dora de Ayach Bergel</name><resp>Informant identified as inf2 in  62re33b-8.</resp></respStmt><respStmt id="ID-25-62re33b-8"><name>Estrella Ayach</name><resp>Informant identified as inf3 in  62re33b-8.</resp></respStmt></recording>

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 </sourceDesc>



	      </fileDesc>

    <encodingDesc>

   <projectDesc>

	<p>The "Folk Literature of the Sephardic Jews Multimedia
	Digital LIbrary" is funded by a three-year grant from the
	National Science Foundation, Digital Library Initiative Phase 2 and the Maurice Amado Foundation. The goal is to create a
	web-accessible archive of the Sephardic oral literature
	collected by Samuel G. Armistead, Joseph H. Silverman and Israel J. Katz in fieldwork conducted
	since 1957. </p>

      </projectDesc>

   <editorialDecl>

	<interpretation>

	  <p>Commentary on transcriptions has been provided by Samuel G. Armistead,
	  who is solely responsible for identifying the ballad-titles
	  and other genres of this folk literature.</p>

	</interpretation>

	<normalization>

	  <p>The orthographic conventions used in transcribing these
	  files are based upon those of Samuel G. Armistead. We have attempted to
	  represent all variations from the pronunciation of modern Castilian
	  Spanish and our orthography therefore captures phonetic
	  phenomena which use of modern Spanish orthography would
	  otherwise obscure. The full description of our conventions
	  is available on the home page of the website.</p>

	</normalization>

	<!-- one of (correction normalization quotation hyphenation interpretation segmentation stdvals p) -->

      </editorialDecl>

   
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	       <profileDesc>

		  <creation><date>1962-08-27</date><rs type="recordingcity">Casablanca</rs>

 </creation>

  </profileDesc>



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	<titleStmt>

	  <title>62re33b-2</title>
<respStmt><name>Karen L. Olson</name><resp>Supervised the editing of all transcriptions.</resp>
</respStmt><respStmt><name/><resp>Editor/Transcriber</resp></respStmt><respStmt><name>Cinthya M. Miranda</name><resp>Editor/Transcriber</resp></respStmt><respStmt><name/><resp>Editor/Transcriber</resp></respStmt>

	</titleStmt>

 <publicationStmt>

 <publisher>University of California, Shields Library</publisher>

 <authority>Samuel G. Armistead</authority>

 <address>

	   <addrLine>Spanish and Classics Dept.</addrLine>

	   <addrLine>University of California at Davis</addrLine>

	   <addrLine>Davis, CA 95616</addrLine>

 </address>



 </publicationStmt>

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 <recording type="audio" dur="03:08-05:28">

  </recording>

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	<body>

	  <div1 id="297" type="BALLAD">

	  <opener><title>Ballad Title Not Yet Identified</title></opener>


      






      

    

  


<note id="ID-6" rend="descriptive">comentario</note>


<sp><speaker id="ID-9">Samuel G. Armistead</speaker>
<seg>... solo un fragmento. ¿Cómo es?</seg></sp>

<note id="ID-12" rend="descriptive">  canción. inf1</note>
<l id="ID-13" rend="a">A oriyas de una fuente</l><l id="ID-14" rend="b">a una sagala vi.</l>
<l id="ID-16" rend="a">Con el ruido del agua,</l><l id="ID-17" rend="b">hasia eya me aserqué</l>
<l id="ID-19" rend="a">y oí una vos que desía:</l><l id="ID-20" rend="b">-- ¡Ay de mí! ¡Ay de mí! ¡Ay de mí! --</l>
<l id="ID-22" rend="a">Era una pobre joven</l><l id="ID-23" rend="b">que la engañó un pastor.</l>
<note id="ID-25" rend="descriptive">comentarios confusos de la inf2</note>


<l id="ID-28" rend="ar">Era una pr ...</l><l id="ID-29" rend="br">que la engañó un pastor.</l>
<l id="ID-31" rend="a">Después de haberla engañado,</l><l id="ID-32" rend="b">se marchó y la dejó.</l>
<l id="ID-34" rend="a">Entonses para mí dije:</l><l id="ID-35" rend="b">-- ¡Qué dolor! ¡Qué dolor! ¡Qué dolor! --</l>
<l id="ID-37" rend="a">La agarré de la mano</l><l id="ID-38" rend="b">y me la yevé al café.</l>
<l id="ID-40" rend="a">Un ja[r]dín que ayí había,</l><l id="ID-41" rend="b">lindas flores corté.</l>
<l id="ID-43" rend="a">Y en su divino pelo</l><l id="ID-44" rend="b">se la[s] deposité.</l>
<l id="ID-46" rend="a">Entonses dise la niña:</l><l id="ID-47" rend="b">-- ¡Ay, Jesús! ¡Qué atrevido es uste[d]! --</l>
<l id="ID-49" rend="a">La agarré ... [ repite ]</l>
<note id="ID-51" rend="descriptive">comentario</note>


<sp><speaker id="ID-54">inf2</speaker><seg>Sí, ahora, esa, eso.</seg></sp>

<note id="ID-57" rend="descriptive">  canción</note>
<l id="ID-58" rend="a">La agarré de la mano,</l><l id="ID-59" rend="b">me la yevé al café. [ se corrige ]</l>


<sp><speaker id="ID-64">inf1</speaker><seg>No.</seg></sp><sp><speaker id="ID-65">inf2</speaker><seg>Sí, sí, sí.</seg></sp>

<note id="ID-68" rend="descriptive">  canción</note>
<l id="ID-69" rend="a">Al subir la escalera [ repite ]</l>
<note id="ID-71" rend="descriptive">conversación</note>


<sp><speaker id="ID-74">inf3</speaker><seg>[ phrase ]</seg></sp><sp><speaker id="ID-75">inf2</speaker><seg>Eya la yevó.</seg></sp><sp><speaker id="ID-76">inf3</speaker><seg>No.</seg></sp><sp><speaker id="ID-77">inf1</speaker><seg>Y la cortó las flores y la puso ...</seg></sp><sp><speaker id="ID-78">inf3</speaker><seg>Pero no la yevó al café. De un jardín que ahí había ...</seg></sp><sp><speaker id="ID-79">inf1</speaker><seg>En el café ...</seg></sp><sp><speaker id="ID-80">inf2</speaker><seg>[ cantando ] "La agarré de la mano ..."</seg></sp><sp><speaker id="ID-81">inf3</speaker><seg>No, ya dejalo, que la cante [ word ], como sea.</seg></sp>

<note id="ID-84" rend="descriptive">  canción</note>
<l id="ID-85" rend="a">Al subir la escalera,</l><l id="ID-86" rend="b">su lindo pie la vi.</l>
<l id="ID-88" rend="a">La mediesita blanca,</l><l id="ID-89" rend="b">la ligada toqué.</l>
<l id="ID-91" rend="a">Entonses dice la niña:</l><l id="ID-92" rend="b">-- ¡Ay, Jesús! ¡Qué atrevido es uste[d]! --</l>
<note id="ID-94" rend="descriptive">conversación</note>


<sp><speaker id="ID-97">inf3</speaker><seg>¡Ah! ¿Otra ve[s]?</seg></sp><sp><speaker id="ID-98">inf1</speaker><seg>¿No es eso? ¿No? ¿No es eso, Isabel?</seg></sp><sp><speaker id="ID-99">inf2</speaker><seg>No, no es eso.</seg></sp><sp><speaker id="ID-100">inf3</speaker><seg>No, no es eso.</seg></sp>

<note id="ID-103" rend="descriptive">canción. inf1 e inf2</note>
<l id="ID-104" rend="a">La ale ... [ se corrige ] Entonses dice la niña:</l><l id="ID-105" rend="b">-- Suba uste[d], suba uste[d], suba us[ted].</l>
<note id="ID-107" rend="descriptive">conversación</note>


<sp><speaker id="ID-110">inf1</speaker><seg>Esto que es un cantar ... ¡Por Dios!</seg></sp><sp><speaker id="ID-111">inf2</speaker><seg>Es cantar, un cantar.</seg></sp>

<note id="ID-114" rend="descriptive">corte de cinta</note>


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