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<title>Archive Tape Name: la51</title>

	<author><name>NA</name></author>

	<editor><name>NA</name></editor>

	<funder>National Science Foundation, Digital Library Initiative Phase 2</funder>

	<funder>Maurice Amado Foundation</funder>

	<funder>University of California at Davis</funder>

	<principal><name type="person">Samuel G. Armistead</name></principal>

	<principal><name>Bruce Rosenstock</name></principal>


	<sponsor><name type="org">NA</name></sponsor>



</titleStmt>

  

 <publicationStmt>

 <publisher>Samuel G. Armistead</publisher>

 <authority>Samuel G. Armistead</authority>

	<distributor>University of California</distributor>

 <address>

	   <addrLine>Spanish and Classics Dept.</addrLine>

	   <addrLine>University of California at Davis</addrLine>

	   <addrLine>Davis, CA 95616</addrLine>

 </address>

	 <availability>

	   <p>Textual transcription of this tape and corresponding
	   audio file are available for purposes of research,
	   teaching, and appreciation. In some cases, either the
	   transcriptions, the audio file, or both may be used only
	   with the permission of Samuel G. Armistead send requests to address given
	   above.</p>
	  
<p>Any republication or other use of these materials must acknowledge
their source and their copyright by Samuel G. Armistead.</p>
      


	 </availability>



 </publicationStmt>



 <notesStmt><note type="general">This transcription is taken from
 Archive tape named <seg type="tapename">Home I</seg>, recorded on
 <seg type="tapedate">1959-08-19</seg>, whose digital audio file is
 named <seg type="digaudfile">la51</seg>. The tape was
 recorded in <seg type="place">Brooklyn, NY</seg>.</note></notesStmt>



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 <recording type="audio" dur="23:30">

 <respStmt><name>Samuel G. Armistead</name><resp>interviewed and taped session</resp>

 </respStmt>



 <date>1959-08-19</date>

	    <respStmt id="INFID">

	      <!-- one of (anchor gap pb milestone lb cb timeline spangrp span linkgrp link joingrp join interpGrp interp index altgrp alt name resp) -->

	      <name>INFNAME</name><resp>informant</resp>

	    </respStmt>

 </recording>

 </recordingStmt>

 </sourceDesc>



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   <projectDesc>

	<p>The "Folk Literature of the Sephardic Jews Multimedia
	Digital LIbrary" is funded by a three-year grant from the
	National Science Foundation, Digital Library Initiative Phase 2 and the Maurice Amado Foundation. The goal is to create a
	web-accessible archive of the Sephardic oral literature
	collected by Samuel G. Armistead, Joseph H. Silverman and Israel J. Katz in fieldwork conducted
	since 1957. </p>

      </projectDesc>

   <editorialDecl>

	<interpretation>

	  <p>Commentary on transcriptions has been provided by Samuel G. Armistead,
	  who is solely responsible for identifying the ballad-titles
	  and other genres of this folk literature.</p>

	</interpretation>

	<normalization>

	  <p>The orthographic conventions used in transcribing these
	  files are based upon those of Samuel G. Armistead. We have attempted to
	  represent all variations from the pronunciation of modern Castilian
	  Spanish and our orthography therefore captures phonetic
	  phenomena which use of modern Spanish orthography would
	  otherwise obscure. The full description of our conventions
	  is available on the home page of the website.</p>

	</normalization>

	<!-- one of (correction normalization quotation hyphenation interpretation segmentation stdvals p) -->

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	       <profileDesc>

		  <creation><date>1959-08-19</date><rs type="recordingcity">Brooklyn, NY</rs>

 </creation>

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	<titleStmt>

	  <title>la51-6</title>
<respStmt><name>Karen L. Olson</name><resp>Supervised the editing of all transcriptions.</resp>
</respStmt><respStmt><name> Bianca Yerena</name><resp>Editor/Transcriber</resp></respStmt><respStmt><name/><resp>Editor/Transcriber</resp></respStmt><respStmt><name/><resp>Editor/Transcriber</resp></respStmt>

	</titleStmt>

 <publicationStmt>

 <publisher>University of California, Shields Library</publisher>

 <authority>Samuel G. Armistead</authority>

 <address>

	   <addrLine>Spanish and Classics Dept.</addrLine>

	   <addrLine>University of California at Davis</addrLine>

	   <addrLine>Davis, CA 95616</addrLine>

 </address>



 </publicationStmt>

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 <recording type="audio" dur="12:03-14:06">

  </recording>

 </recordingStmt>



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	<body>

	  <div1 id="NA" type="NA">

	  <opener><title>Ballad Title Not Yet Identified</title></opener>


      






      

    

  


<note id="ID-6" rend="descriptive">title: Adúltera (á-a)</note>


<note id="ID-9" rend="descriptive">  recitado. inf1</note>
<l id="ID-10" rend="a">-- Ábreme la puerta, bidjú,</l><l id="ID-11" rend="b">que ábreme, mi alma.</l>
<l id="ID-13" rend="a">Los pies tengo en la yilada [ se corrige ]</l>
<note id="ID-15" rend="descriptive">comentario</note>


<sp><speaker id="ID-18">inf1</speaker><seg>"La cabesa", no, "La cabesa en la yilada / los pies ... en la nieve ..."</seg></sp>

<note id="ID-21" rend="descriptive">  recitado</note>
<l id="ID-22" rend="a">Los pies en la nieve,</l><l id="ID-23" rend="b">la cabesa en la yelada.</l>
<note id="ID-25" rend="descriptive">comentario</note>


<sp><speaker id="ID-28">inf1</speaker><seg>Ya le abrió la puerta la enamorada. El marido le disho: "¿Con quién das tanta palabra?"</seg></sp>

<note id="ID-31" rend="descriptive">  recitado</note>
<l id="ID-32" rend="a">-- Mi muzher, la mi muzher,</l><l id="ID-33" rend="b">¿con quién das tanta palabra?</l>
<l id="ID-35" rend="a">-- Es que uno'l moso del panadero,</l><l id="ID-36" rend="b">[e]l que levadura me demanda.</l>
<note id="ID-38" rend="descriptive">comentario</note>


<sp><speaker id="ID-41">Samuel G. Armistead</speaker>
<seg>"Harina no tengo en cazza".</seg></sp>

<note id="ID-44" rend="descriptive">  recitado</note>
<l id="ID-45" rend="a">Harina no tengo en cazza,</l><l id="ID-46" rend="b">vayan [ word ] [ se corrige ] vaya'n poco para la plazza.</l>
<l id="ID-48" rend="a">Mérquenme harina blanca,</l><l id="ID-49" rend="b">para haser o pan de casa. --</l>
<l id="ID-51" rend="a">El marido que salió,</l><l id="ID-52" rend="b">el namorado que venga [ se corrige ] el namorado que entra.</l>
<l id="ID-54" rend="a">-- ¿Aónde que os guadre, mi alma? --</l><l id="ID-55" rend="b">Lo encashó en una casha.</l>
<l id="ID-57" rend="a">La casha era de pemienta</l><l id="ID-58" rend="b">[.....]</l>
<note id="ID-60" rend="descriptive">comentario</note>


<sp><speaker id="ID-63">inf1</speaker><seg>En esto ...</seg></sp><sp><speaker id="ID-64">Samuel G. Armistead</speaker>
<seg>"El namorado estornudaba", estornudaba el enamorado, ¿no?</seg></sp><sp><speaker id="ID-65">inf1</speaker><seg>"El namorado", no sé. ¿El namorado? Ya, es e[l] namorado.</seg></sp><sp><speaker id="ID-66">Samuel G. Armistead</speaker>
<seg>"Estornudara".</seg></sp><sp><speaker id="ID-67">inf1</speaker><seg>[ phrase ]</seg></sp>

<note id="ID-70" rend="descriptive">  recitado</note>
<l id="ID-71" rend="a">El marido que viniera,</l><l id="ID-72" rend="b">el namorado que'stornudara.</l>
<l id="ID-74" rend="a">-- ¿Quién estornuda [ se corrige ] -- Mi muzher, la mi muzher,</l><l id="ID-75" rend="b">¿quién estarnuda en esta casha?</l>
<l id="ID-77" rend="a">-- Es el gatico de la vezzina,</l><l id="ID-78" rend="b">y que a los ratones alcansa.</l>
<note id="ID-80" rend="descriptive">comentario</note>


<sp><speaker id="ID-83">inf1</speaker><seg>"Yo quero ver cómo los alcansa". "Mire, que le salten en la cara". "¡Que me salten y que me bailen y que me caminen por en cazza!"</seg></sp>

<note id="ID-86" rend="descriptive">  recitado</note>
<l id="ID-87" rend="a">La yave no tengo en cazza,</l><l id="ID-88" rend="b">con la vezzina estó peliada. --</l>
<l id="ID-90" rend="a">Él tomó la linda dolcha, [ se corrige ] dalta, [ no entiendo ]</l><l id="ID-91" rend="b">arrompió la linda casha.</l>
<l id="ID-93" rend="a">-- Mi muzher, la mi muzher [ se corrige ] -- ¡Vizzinas, las mis vizzinas,</l><l id="ID-94" rend="b">vini verésh maraviyas!</l>
<l id="ID-96" rend="a">Yo no tengo visto gato con barba,</l><l id="ID-97" rend="b">mustachico arretorsidico,</l>
<l id="ID-99" rend="a">patitica trabadica</l><l id="ID-100" rend="b">y también de la madrugada.</l>
<note id="ID-102" rend="descriptive">conversación</note>


<sp><speaker id="ID-105">Joseph H. Silverman</speaker>
<seg>Sí, muy bien.</seg></sp><sp><speaker id="ID-106">Samuel G. Armistead</speaker>
<seg>Eso está muy bien.</seg></sp>

<note id="ID-109" rend="descriptive">corte de cinta</note>


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