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<title>Archive Tape Name: re16s2a</title>

	<author><name>NA</name></author>

	<editor><name>NA</name></editor>

	<funder>National Science Foundation, Digital Library Initiative Phase 2</funder>

	<funder>Maurice Amado Foundation</funder>

	<funder>University of California at Davis</funder>

	<principal><name type="person">Samuel G. Armistead</name></principal>

	<principal><name>Bruce Rosenstock</name></principal>


	<sponsor><name type="org">NA</name></sponsor>



</titleStmt>

  

 <publicationStmt>

 <publisher>Samuel G. Armistead</publisher>

 <authority>Samuel G. Armistead</authority>

	<distributor>University of California</distributor>

 <address>

	   <addrLine>Spanish and Classics Dept.</addrLine>

	   <addrLine>University of California at Davis</addrLine>

	   <addrLine>Davis, CA 95616</addrLine>

 </address>

	 <availability>

	   <p>Textual transcription of this tape and corresponding
	   audio file are available for purposes of research,
	   teaching, and appreciation. In some cases, either the
	   transcriptions, the audio file, or both may be used only
	   with the permission of Samuel G. Armistead send requests to address given
	   above.</p>
	  
<p>Any republication or other use of these materials must acknowledge
their source and their copyright by Samuel G. Armistead.</p>
      


	 </availability>



 </publicationStmt>



 <notesStmt><note type="general">This transcription is taken from
 Archive tape named <seg type="tapename">Reel 16s2, Side A</seg>, recorded on
 <seg type="tapedate">1959-11-15</seg>, whose digital audio file is
 named <seg type="digaudfile">re16s2a</seg>. The tape was
 recorded in <seg type="place">Los Angeles</seg>.</note></notesStmt>



 <sourceDesc>

 <recordingStmt>



 <recording type="audio" dur="28:47">

 <respStmt><name>Samuel G. Armistead</name><resp>interviewed and taped session</resp>

 </respStmt>



 <date>1959-11-15</date>

	    <respStmt id="INFID">

	      <!-- one of (anchor gap pb milestone lb cb timeline spangrp span linkgrp link joingrp join interpGrp interp index altgrp alt name resp) -->

	      <name>INFNAME</name><resp>informant</resp>

	    </respStmt>

 </recording>

 </recordingStmt>

 </sourceDesc>



	      </fileDesc>

    <encodingDesc>

   <projectDesc>

	<p>The "Folk Literature of the Sephardic Jews Multimedia
	Digital LIbrary" is funded by a three-year grant from the
	National Science Foundation, Digital Library Initiative Phase 2 and the Maurice Amado Foundation. The goal is to create a
	web-accessible archive of the Sephardic oral literature
	collected by Samuel G. Armistead, Joseph H. Silverman and Israel J. Katz in fieldwork conducted
	since 1957. </p>

      </projectDesc>

   <editorialDecl>

	<interpretation>

	  <p>Commentary on transcriptions has been provided by Samuel G. Armistead,
	  who is solely responsible for identifying the ballad-titles
	  and other genres of this folk literature.</p>

	</interpretation>

	<normalization>

	  <p>The orthographic conventions used in transcribing these
	  files are based upon those of Samuel G. Armistead. We have attempted to
	  represent all variations from the pronunciation of modern Castilian
	  Spanish and our orthography therefore captures phonetic
	  phenomena which use of modern Spanish orthography would
	  otherwise obscure. The full description of our conventions
	  is available on the home page of the website.</p>

	</normalization>

	<!-- one of (correction normalization quotation hyphenation interpretation segmentation stdvals p) -->

      </editorialDecl>

   
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	       <profileDesc>

		  <creation><date>1959-11-15</date><rs type="recordingcity">Los Angeles</rs>

 </creation>

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	<titleStmt>

	  <title>re16s2a-5</title>
<respStmt><name>Karen L. Olson</name><resp>Supervised the editing of all transcriptions.</resp>
</respStmt><respStmt><name/><resp>Editor/Transcriber</resp></respStmt><respStmt><name>Cinthya M. Miranda</name><resp>Editor/Transcriber</resp></respStmt><respStmt><name>Dolores Miralles Alberola</name><resp>Editor/Transcriber</resp></respStmt><respStmt><name>Miguel Orts --&gt;</name><resp>Editor/Transcriber</resp></respStmt>

	</titleStmt>

 <publicationStmt>

 <publisher>University of California, Shields Library</publisher>

 <authority>Samuel G. Armistead</authority>

 <address>

	   <addrLine>Spanish and Classics Dept.</addrLine>

	   <addrLine>University of California at Davis</addrLine>

	   <addrLine>Davis, CA 95616</addrLine>

 </address>



 </publicationStmt>

 <sourceDesc>



 <recordingStmt>

 <recording type="audio" dur="11:47-17:32">

  </recording>

 </recordingStmt>



 </sourceDesc>





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	<body>

	  <div1 id="813" type="BALLAD">

	  <opener><title>Ballad Title Not Yet Identified</title></opener>


      






      

    

  


<note id="ID-7" rend="descriptive">title: Casada en lejanas tierras</note>


<note id="ID-10" rend="descriptive">  canción. inf1</note>
<l id="ID-11" rend="a">... de Fransia</l><l id="ID-12" rend="b">tres hizhas tení ...</l>
<note id="ID-14" rend="descriptive">comentario</note>


<sp><speaker id="ID-17">inf1</speaker><seg>[E]s muy <foreign lang="eng" rend=""> high, high. </foreign></seg></sp>

<note id="ID-20" rend="descriptive">  canción</note>
<l id="ID-21" rend="b">tres hizhas tenían.</l>
<l id="ID-23" rend="a">La una, la ... [ se corrige ] la una cozzía,</l><l id="ID-24" rend="b">la otra ...</l>
<note id="ID-26" rend="descriptive">conversación</note>


<sp><speaker id="ID-29">inf1</speaker><seg>Ya me olvidé.</seg></sp><sp><speaker id="ID-30">Samuel G. Armistead</speaker>
<seg>"... labraba", ¿no?</seg></sp><sp><speaker id="ID-31">inf1</speaker><seg>¡Ah!, sí.</seg></sp>

<note id="ID-34" rend="descriptive">  canción</note>
<l id="ID-35" rend="b">la otra labraba,</l>
<note id="ID-37" rend="descriptive">comentario</note>


<sp><speaker id="ID-40">inf1</speaker><seg>No. La chica que labraba.</seg></sp>

<note id="ID-43" rend="descriptive">  canción</note>
<l id="ID-44" rend="a">la mádh chica de eyas,</l><l id="ID-45" rend="b">bastidor labraba.</l>
<note id="ID-47" rend="descriptive">comentario</note>


<sp><speaker id="ID-50">inf1</speaker><seg>¿Uno haí ajuera?</seg></sp><sp><speaker id="ID-51">Samuel G. Armistead</speaker>
<seg>No.</seg></sp>

<note id="ID-54" rend="descriptive">  canción</note>
<l id="ID-55" rend="a">Labrando, labrando,</l><l id="ID-56" rend="b">el sueño le vensía.</l>
<note id="ID-58" rend="descriptive">conversación</note>


<sp><speaker id="ID-61">inf1</speaker><seg>Dim[e] alguna para que m[e] acodre.</seg></sp><sp><speaker id="ID-62">Samuel G. Armistead</speaker>
<seg>"Esto ..."</seg></sp>

<note id="ID-65" rend="descriptive">corte de cinta</note>


<note id="ID-68" rend="descriptive">  canción</note>
<l id="ID-69" rend="a">La madre con rabia</l>


<sp><speaker id="ID-74">inf1</speaker><seg>¿Cuálo?</seg></sp><sp><speaker id="ID-75">Samuel G. Armistead</speaker>
<seg>"Ajarvarlo".</seg></sp>

<note id="ID-78" rend="descriptive">  canción</note>
<l id="ID-79" rend="b">ajarvarla quería.</l>
<note id="ID-81" rend="descriptive">comentario</note>


<sp><speaker id="ID-84">inf1</speaker><seg>... [ no entiendo ] al señor l[e] ag[r]ada la vos.</seg></sp><sp><speaker id="ID-85">Samuel G. Armistead</speaker>
<seg>No, está muy bien, está muy bien. La voz está muy buena.</seg></sp><sp><speaker id="ID-86">Joseph H. Silverman</speaker>
<seg>... [ no entiendo ] si quiere.</seg></sp><sp><speaker id="ID-87">inf1</speaker><seg>[ risas ] ¿eh?</seg></sp><sp><speaker id="ID-88">Samuel G. Armistead</speaker>
<seg>La voz está muy buena, sí.</seg></sp><sp><speaker id="ID-89">inf1</speaker><seg><foreign lang="eng" rend=""> So ... </foreign></seg></sp>

<note id="ID-92" rend="descriptive">corte de cinta</note>


<note id="ID-95" rend="descriptive">  canción</note>
<l id="ID-96" rend="a">-- ... mesh, madre,</l><l id="ID-97" rend="b">mi vajalbaría.</l>
<note id="ID-99" rend="descriptive">conversación</note>


<sp><speaker id="ID-102">inf1</speaker><seg>¿Sueño? ¿Cuálo?</seg></sp><sp><speaker id="ID-103">Samuel G. Armistead</speaker>
<seg>"El sueño soñé, madre".</seg></sp><sp><speaker id="ID-104">inf1</speaker><seg>Ah, sí.</seg></sp>

<note id="ID-107" rend="descriptive">canción</note>
<l id="ID-108" rend="a">Sueño soñé, ma[d]re,</l>
<note id="ID-110" rend="descriptive">conversación</note>


<sp><speaker id="ID-113">inf1</speaker><seg>¿Más?</seg></sp><sp><speaker id="ID-114">Samuel G. Armistead</speaker>
<seg>Eh ... "Sueño soñé, madre, / vine alegría".</seg></sp><sp><speaker id="ID-115">inf1</speaker><seg>Ah, sí.</seg></sp>

<note id="ID-118" rend="descriptive">  canción</note>
<l id="ID-119" rend="a">El sueño soñé, madre,</l><l id="ID-120" rend="b">vieni alegría.</l>
<note id="ID-122" rend="descriptive">conversación</note>


<sp><speaker id="ID-125">inf1</speaker><seg>Esto es muy fuer ... [ se corrige ] <foreign lang="eng" rend=""> high. </foreign></seg></sp><sp><speaker id="ID-126">Joseph H. Silverman</speaker>
<seg>Muy bien.</seg></sp><sp><speaker id="ID-127">Samuel G. Armistead</speaker>
<seg>Muy bien.</seg></sp><sp><speaker id="ID-128">inf1</speaker><seg>Hay una señora que hay aquí que la canta.</seg></sp><sp><speaker id="ID-129">Joseph H. Silverman</speaker>
<seg>¿Quién?</seg></sp><sp><speaker id="ID-130">inf1</speaker><seg>¡Uy qué linda! ... yo la yamé y dishu: [ word ].</seg></sp><sp><speaker id="ID-131">Joseph H. Silverman</speaker>
<seg>Y ¿quién es esa señora?</seg></sp><sp><speaker id="ID-132">inf1</speaker><seg>Es una ..., esto, esto ..., esfaradí.</seg></sp><sp><speaker id="ID-133">Joseph H. Silverman</speaker>
<seg>¿Cómo se llama?</seg></sp><sp><speaker id="ID-134">inf1</speaker><seg>Mali, Mali, Mali, Mali ... mora con la hermana, Susie Paltí y aqueyas están cantando.</seg></sp><sp><speaker id="ID-135">Joseph H. Silverman</speaker>
<seg>¿Es una señora edada?</seg></sp><sp><speaker id="ID-136">inf1</speaker><seg>Edada, edada [ word ].</seg></sp><sp><speaker id="ID-137">Joseph H. Silverman</speaker>
<seg>Ah, ¿de veras? Y ¿de qué parte es?</seg></sp><sp><speaker id="ID-138">inf1</speaker><seg>Es de Constantinopla.</seg></sp><sp><speaker id="ID-139">Joseph H. Silverman</speaker>
<seg>¿También de Constantinopla?</seg></sp><sp><speaker id="ID-140">inf1</speaker><seg>Ma, ese, ¿cómo le diría?, no le gusta. Ya le he dicho: "Ven, Mali la, la persona no es todo malo. Hay muchas cosas buenas en este mundo". De veras, yo, de que me nasí Dios que me guarde de todo. No tengo visto malo en este mundo que me hiso alguno, ¡de veras!</seg></sp><sp><speaker id="ID-141">Joseph H. Silverman</speaker>
<seg>Sí.</seg></sp><sp><speaker id="ID-142">inf1</speaker><seg>Porque yo no hago mal. Me gusta toma un <foreign lang="eng" rend=""> candy, </foreign> toma.</seg></sp><sp><speaker id="ID-143">Joseph H. Silverman</speaker>
<seg>Sí, ya tomamos, ya tomamos.</seg></sp><sp><speaker id="ID-144">inf1</speaker><seg>Tomatesh no me engañesh.</seg></sp><sp><speaker id="ID-145">Joseph H. Silverman</speaker>
<seg>No, no ,no.</seg></sp><sp><speaker id="ID-146">inf1</speaker><seg>¿Estás oyendo?</seg></sp><sp><speaker id="ID-147">Joseph H. Silverman</speaker>
<seg>Sí.</seg></sp><sp><speaker id="ID-148">inf1</speaker><seg><foreign lang="eng" rend=""> So, </foreign> yo digo, cuando una persona hase la veldad nunca espera el mal. Eso me parese a mi ansina toda, toda la vida a mí me parese que todo es bueno.</seg></sp><sp><speaker id="ID-149">Joseph H. Silverman</speaker>
<seg>¿Eya cree que eya nos cantaría?</seg></sp><sp><speaker id="ID-150">inf1</speaker><seg>Y yo tengo otra constumbre, me gusta djente y no sólo djente que me gusta no los quiero ver enfermos yo me sinsho la cara siempre de ani[llos?]. Y si no tenía esto ya [ word ].</seg></sp><sp><speaker id="ID-151">Joseph H. Silverman</speaker>
<seg>Sí, claro.</seg></sp><sp><speaker id="ID-152">inf1</speaker><seg><foreign lang="eng" rend=""> So </foreign> quiero desir que siempre esta djente que sabe o es que camina mucho, no sé que ven malo, que ven bueno. Muy buena muzher, buena muzher. Yo le estuve disiendo anoche: "Mali, ven vas a ver mira es una cosa de sentimiento. Esa vos que tienes tú es muy hermosa vos. "[ word ] mañana" [ word ] sí. Muy buena muzher.</seg></sp><sp><speaker id="ID-153">Joseph H. Silverman</speaker>
<seg>Pero, por la tarde alguna vez pudiéramos. ¿Usted cree que por la tarde alguna vez ir a su casa de eya y nos cantaría?</seg></sp><sp><speaker id="ID-154">inf1</speaker><seg>Está en casa de la hermana. No le gusta que vaya ningún ... de la hermana. No es como a mí [ word ] que quiere que venir, que quiere que venga.</seg></sp><sp><speaker id="ID-155">Joseph H. Silverman</speaker>
<seg>Ah, muy bien.</seg></sp><sp><speaker id="ID-156">inf1</speaker><seg>En fin. Ahí [e]stá una cantica. Ahí está la voz.</seg></sp><sp><speaker id="ID-157">Joseph H. Silverman</speaker>
<seg>Muy bien.</seg></sp>

<note id="ID-160" rend="descriptive">corte de cinta</note>


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